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101 0 $aeng
135   $aur|||||||nn|n
181   $ctxt
182   $cc
183   $acr
200 10$aStroheim$b[electronic resource] /$fArthur Lennig
210   $aLexington $cUniversity Press of Kentucky$dc2000
215   $a1 online resource (580 p.)
300   $aDescription based upon print version of record.
311   $a0-8131-2138-8 
320   $aFilmography: p. 468-473.
320   $aIncludes bibliographical references and index.
327   $aCover; Title; Copyright; Contents; Fade-in; Preface; 1 Beginnings; 2 The Ascent; 3 The Artist; 4 Blind Husbands; 5 The Devil's Pass Key; 6 Foolish Wives; 7 Merry-Go-Round; 8 Greed; 9 The Merry Widow; 10 The Wedding March; 11 The Honeymoon; 12 Queen Kelly; 13 The Descent; 14 Walking down Broadway; 15 The Depths; 16 A Star in France; 17 America Again; 18 The Last Years; Filmography; Notes; Selected Bibliography; Index; Photos follow pages 142; Photos follow pages 238; Photos follow pages 334
330   $aErich von Stroheim (1885-1957) was one of the giants in American film history. Stubborn, arrogant, and colorful, he saw himself as a cinema artist, which led to conflicts with producers and studio executives who complained about the inflated budgets and extraordinary length of his films. Stroheim achieved great notoriety and success, but he was so uncompromising that he turned his triumph into failure. He was banned from ever directing again and spent his remaining years as an actor. Stroheim's life has been wreathed in myths, many of his own devising. Arthur Lennig scoured European and Ame
606   $aMotion picture producers and directors$zUnited States$vBiography
615  0$aMotion picture producers and directors
676   $a791.43/0233/092
676   $aB
700   $aLennig$b Arthur$0573701
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906   $aBOOK
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996   $aStroheim$93824266
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