LEADER 04082oam 2200697Ma 450 001 9910777503703321 005 20190503073342.0 010 $a1-282-09760-1 010 $a9786612097607 010 $a0-262-27277-6 010 $a1-4294-6555-7 035 $a(CKB)1000000000467030 035 $a(EBL)3338565 035 $a(OCoLC)939263664 035 $a(SSID)ssj0000232842 035 $a(PQKBManifestationID)11202756 035 $a(PQKBTitleCode)TC0000232842 035 $a(PQKBWorkID)10214789 035 $a(PQKB)10920280 035 $a(MiAaPQ)EBC3338565 035 $a(OCoLC)191932854$z(OCoLC)124095097$z(OCoLC)473857617$z(OCoLC)482668484$z(OCoLC)608021743$z(OCoLC)614965190$z(OCoLC)648224953$z(OCoLC)651698186$z(OCoLC)722565079$z(OCoLC)728037128$z(OCoLC)939263664$z(OCoLC)961526614$z(OCoLC)962598593$z(OCoLC)974108663$z(OCoLC)981986096$z(OCoLC)982018766$z(OCoLC)988441557$z(OCoLC)991949905$z(OCoLC)1006299644$z(OCoLC)1017993881$z(OCoLC)1037496629$z(OCoLC)1037925299$z(OCoLC)1038617491$z(OCoLC)1043877618$z(OCoLC)1047669760$z(OCoLC)1053464870$z(OCoLC)1054121998$z(OCoLC)1055389977$z(OCoLC)1058685566$z(OCoLC)1063965081$z(OCoLC)1081289350$z(OCoLC)1083601111 035 $a(OCoLC-P)191932854 035 $a(MaCbMITP)5763 035 $a(Au-PeEL)EBL3338565 035 $a(CaPaEBR)ebr10173622 035 $a(CaONFJC)MIL209760 035 $a(EXLCZ)991000000000467030 100 $a20060707d2006 uy 1 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aRe:skin /$fedited by Mary Flanagan and Austin Booth 210 $aCambridge, Mass. $cMIT Press$dİ2006 215 $a1 online resource (371 pages) 300 $aDescription based upon print version of record. 311 $a0-262-06260-7 320 $aIncludes bibliographical references and index. 327 $aThe man who plugged in (fiction) / L. Timmel Duchamp -- Safety of skin (nonfiction) / Melinda Rackham -- Making room for the body: from fragmentation to mediation (nonfiction) / Bernadette Wegenstein -- On morphological imagination (nonfiction) / Vivian Sobchack -- Fur Manifesto (fiction/nonfiction) / Model T. and Sara D(iamond) -- Ganger (Ball Lightning) (fiction) / Nalo Hopkinson -- Perfect twins (nonfiction) / Rebecca Cannon -- Lynx and strand (fiction) / Jewelle Gomez -- Readers of the lost art (fiction) / Elisabeth Vonarburg -- The Black.Net.Art actions: Blackness for sale (2001), The interaction of coloreds (2002), and The pink of stealth (2003) (fiction/nonfiction) / Keith + Mendi Obadike -- Eye contact: fine moving hands and the flesh and blood of image fabrication in the operating theaters of interventional radiology (nonfiction) / Christina Lammer -- Seminal space: getting under the digital skin (nonfiction) / Alicia Imperiale -- Skin (fiction/nonfiction) / Shelley Jackson -- Reskinning the everyday (nonfiction) / Mary Flanagan -- Performing blackness: virtual sports and becoming the other in an era of white supremacy (nonfiction) / David J. Leonard -- Morphologies: race as a visual technology (nonfiction) / Jennifer Gonzalez. 330 $a"In re:skin, scholars, essayists, and short stort writers offer their perspectives on skin--as boundary and surface, as metaphor and physical reality."--Dust jacket front flap. 606 $aSkin$vFiction 606 $aAmerican fiction$y21st century 606 $aCanadian fiction$y21st century 606 $aSkin$xPsychological aspects 610 $aDIGITAL HUMANITIES & NEW MEDIA/New Media History 610 $aDIGITAL HUMANITIES & NEW MEDIA/New Media Art 610 $aSOCIAL SCIENCES/Media Studies 615 0$aSkin 615 0$aAmerican fiction 615 0$aCanadian fiction 615 0$aSkin$xPsychological aspects. 676 $a813/.609353 701 $aFlanagan$b Mary$f1969-$0738322 701 $aBooth$b Austin$01524615 801 0$bOCoLC-P 801 1$bOCoLC-P 906 $aBOOK 912 $a9910777503703321 996 $aRe:skin$93765586 997 $aUNINA