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200 14$aThe novel and the globalization of culture$b[electronic resource] /$fMichael Valdez Moses
210   $aNew York $cOxford University Press$dc1995
215   $a1 online resource (263 p.)
300   $aDescription based upon print version of record.
311   $a0-19-508951-0 
311   $a0-19-508952-9 
320   $aIncludes bibliographical references (p. 203-229) and index.
327   $aContents; Introduction: Hegel, Stendhal, and Posthistorical Existence; 1. Hardy: The Archaeology of a Vanishing Life; 2. Conrad: The Flight from Modernity; 3. Achebe: Beasts of No Nation; 4. Vargas Llosa: Apocalyptic History and the Liberal Perspective; Epilogue; Notes; Editions Cited; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y; Z
330   $aThis text analyzes the emergence of the modern novel and the manner in which it mirrors the underlying process of the globalization of culture. It focuses on Hardy's ""The Mayor of Casterbridge"", Conrad's ""Lord Jim"", Achebe's ""Things Fall Apart"" and Vargas Llosa's ""The War at the End of the World"".
606   $aCultural relations in literature
606   $aCulture conflict in literature
606   $aEnglish fiction$xHistory and criticism
606   $aLiterature and anthropology$xHistory$y19th century
606   $aLiterature and anthropology$xHistory$y20th century
606   $aWorld history in literature
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615  0$aLiterature and anthropology$xHistory
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