LEADER 03680nam 2200733Ia 450 001 9910777410103321 005 20230207224602.0 010 $a979-88-908775-3-6 010 $a0-8078-6417-X 035 $a(CKB)1000000000452668 035 $a(EBL)413437 035 $a(OCoLC)551889942 035 $a(SSID)ssj0000197371 035 $a(PQKBManifestationID)11189628 035 $a(PQKBTitleCode)TC0000197371 035 $a(PQKBWorkID)10154428 035 $a(PQKB)10161041 035 $a(Au-PeEL)EBL413437 035 $a(CaPaEBR)ebr10075650 035 $a(CaONFJC)MIL930598 035 $a(MiAaPQ)EBC413437 035 $a(EXLCZ)991000000000452668 100 $a20040106d2004 ub 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aManliness and its discontents$b[electronic resource] $ethe Black middle class and the transformation of masculinity, 1900-1930 /$fMartin Summers 210 $aChapel Hill $cUniversity of North Carolina Press$dc2004 215 $a1 online resource (398 p.) 225 1 $aGender and American culture 300 $aDescription based upon print version of record. 311 $a0-8078-5519-7 311 $a0-8078-2851-3 320 $aIncludes bibliographical references (p. [345]-361) and index. 327 $aContents; Illustrations; Acknowledgments; Introduction; Part I. Manliness; The Death and Life of Sir John E. Bruce; 1. Does Masonry Make Us Better Men?; 2. A Spirit of Manliness; 3. Our Noble Women and the Coming Generations; Part II. Discontents; The Life and Death of Wallace Thurman; 4. Flaming Youth; 5. A Man and Artist; 6. A Tempestuous Spirit of Rebellion; Conclusion. The Respectable and the Damned; Notes; Abbreviations; Notes; Notes; Bibliography; Index; A-B; C; D-E; F-G; H; I-J; K-L; M; N; O-P; Q-R; S; T-U; V-W; Y 330 $aIn a pathbreaking new assessment of the shaping of black male identity in the early twentieth century, Martin Summers explores how middle-class African American and African Caribbean immigrant men constructed a gendered sense of self through organizational life, work, leisure, and cultural production. Examining both the public and private aspects of gender formation, Summers challenges the current trajectory of masculinity studies by treating black men as historical agents in their own identity formation, rather than as screens on which white men projected their own racial and gender anxieties 410 0$aGender & American culture. 606 $aAfrican American men$xSocial conditions$y20th century 606 $aImmigrants$zUnited States$xSocial conditions$y20th century 606 $aMen$zUnited States$xIdentity$xHistory$y20th century 606 $aMasculinity$zUnited States$xHistory$y20th century 606 $aSex role$zUnited States$xHistory$y20th century 606 $aMiddle class$zUnited States$xHistory$y20th century 606 $aAfrican Americans$xSocial conditions$yTo 1964 607 $aUnited States$xRace relations 607 $aUnited States$xSocial conditions$y20th century 615 0$aAfrican American men$xSocial conditions 615 0$aImmigrants$xSocial conditions 615 0$aMen$xIdentity$xHistory 615 0$aMasculinity$xHistory 615 0$aSex role$xHistory 615 0$aMiddle class$xHistory 615 0$aAfrican Americans$xSocial conditions 676 $a305.38/896073/009041 700 $aSummers$b Martin Anthony$01465223 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910777410103321 996 $aManliness and its discontents$93675120 997 $aUNINA