LEADER 04060nam 2200649 450 001 9910777402403321 005 20221227043216.0 010 $a1-281-73457-8 010 $a9786611734572 010 $a0-300-13466-5 024 7 $a10.12987/9780300134667 035 $a(CKB)1000000000473636 035 $a(StDuBDS)AH23049806 035 $a(SSID)ssj0000172409 035 $a(PQKBManifestationID)11922791 035 $a(PQKBTitleCode)TC0000172409 035 $a(PQKBWorkID)10160341 035 $a(PQKB)10845177 035 $a(MiAaPQ)EBC3420357 035 $a(DE-B1597)485453 035 $a(OCoLC)952733930 035 $a(DE-B1597)9780300134667 035 $a(Au-PeEL)EBL3420357 035 $a(CaPaEBR)ebr10210240 035 $a(CaONFJC)MIL173457 035 $a(OCoLC)923592554 035 $a(MiAaPQ)EBC7022685 035 $a(Au-PeEL)EBL7022685 035 $a(EXLCZ)991000000000473636 100 $a20221227d2006 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aHitchcock's music /$fJack Sullivan 210 1$aNew Haven ;$aLondon :$cYale University Press,$d[2006] 210 4$dİ2006 215 $a1 online resource (384 p.) 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a0-300-11050-2 320 $aIncludes bibliographical references (pages 323-336) and index. 327 $aOverture -- The music starts -- Waltzes from Vienna : Hitchcock's forgotten operetta -- The man who knew too much : storm clouds over Royal Albert Hall -- Musical minimalism : British Hitchcock -- Rebecca : music to raise the dead -- Waltzing into danger -- Sounds of war -- Spellbound : theremins and phallic frescoes -- Notorious : bright sambas, dark secrets -- The paradine case : the unhappy finale of Hitchcock and Selznick -- Hitchcock in a different key : the post-Selznick experiments -- The band played on : a Tiomkin trio -- Rear window : the redemptive power of popular music -- Lethal laughter : Hitchcock's fifties comedies -- The man who knew too much : Doris Day versus the London Symphony -- The wrong man : music from the dark side of the moon -- Sing along with Hitch : music for television -- Vertigo : the music of longing and loss -- North by northwest : fandango on the rocks -- Psycho : the music of terror -- The birds : aviary apocalypse -- The music ends : Hitchcock fires Herrmann -- Topaz : the music is back -- Frenzy : out with Mancini, hold the Bach -- Family plot : Hitchcock's exuberant finale -- Finale : Hitchcock as maestro. 330 $aFor half a century Alfred Hitchcock created films full of gripping and memorable music. Over his long career he presided over more musical styles than any director in history and ultimately changed how we think about film music. This book is the first to fully explore the essential role music played in the movies of Alfred Hitchcock.Based on extensive interviews with composers, writers, and actors, and research in rare archives, Jack Sullivan discusses how Hitchcock used music to influence the atmosphere, characterization, and even storylines of his films. Sullivan examines the director's important relationships with various composers, especially Bernard Herrmann, and tells the stories behind the musical decisions. Covering the whole of the director's career, from the early British works up to Family Plot, this engaging look at the work of Alfred Hitchcock offers new insight into his achievement and genius and changes the way we watch-and listen-to his movies. 606 $aMotion picture music$xHistory and criticism 606 $aTelevision music$xHistory and criticism 615 0$aMotion picture music$xHistory and criticism. 615 0$aTelevision music$xHistory and criticism. 676 $a781.542 700 $aSullivan$b Jack$f1946-$01523529 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910777402403321 996 $aHitchcock's music$93763777 997 $aUNINA