LEADER 04182nam 22008172 450 001 9910777344503321 005 20151005020622.0 010 $a1-107-12136-1 010 $a1-280-15928-6 010 $a0-511-11897-X 010 $a0-511-01724-3 010 $a0-511-15118-7 010 $a0-511-31052-8 010 $a0-511-48327-9 010 $a0-511-04668-5 035 $a(CKB)1000000000002105 035 $a(EBL)153366 035 $a(OCoLC)70730460 035 $a(SSID)ssj0000138138 035 $a(PQKBManifestationID)11154761 035 $a(PQKBTitleCode)TC0000138138 035 $a(PQKBWorkID)10096431 035 $a(PQKB)11526490 035 $a(UkCbUP)CR9780511483271 035 $a(MiAaPQ)EBC153366 035 $a(Au-PeEL)EBL153366 035 $a(CaPaEBR)ebr5001923 035 $a(CaONFJC)MIL15928 035 $a(EXLCZ)991000000000002105 100 $a20090224d2000|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 14$aThe devil and the sacred in English drama, 1350-1642 /$fJohn D. Cox$b[electronic resource] 210 1$aCambridge :$cCambridge University Press,$d2000. 215 $a1 online resource (x, 257 pages) $cdigital, PDF file(s) 300 $aTitle from publisher's bibliographic system (viewed on 05 Oct 2015). 311 $a0-521-03118-4 311 $a0-521-79090-5 320 $aIncludes bibliographical references and index. 327 $a1. Stage devils and oppositional thinking -- 2. The devil and the sacred in the English mystery plays -- 3. Stage devils and sacramental community in non-cycle plays -- 4. Stage devils and early social satire -- 5. Protestant devils and the new community -- 6. The devils of Dr. Faustus -- 7. Reacting to Marlowe -- 8. The devil and the sacred on the Shakespearean stage: theatre and belief -- 9. Traditional morality and magical thinking -- 10. New directions -- App. Devil Plays in English, 1350-1642. 330 $aJohn Cox tells the intriguing story of stage devils from their earliest appearance in English plays to the closing of the theatres by parliamentary order in 1642. The book represents a major revision of E. K. Chambers' ideas of stage devils in The Medieval Stage (1903), arguing that this is not a history of gradual secularization, as scholarship has maintained for the last century, but rather that stage devils were profoundly shaped from the outset by the assumptions of sacred drama and retained this shape virtually unchanged until the advent of permanent commercial theatres near London. The book spans both medieval and Renaissance drama including the medieval Mystery cycles on the one hand, through to plays by Greene, Marlowe, Shakespeare (1 and 2 Henry VI), Jonson, Middleton and Davenant. An appendix lists all known devil plays in English from the beginning to 1642. 517 3 $aThe Devil & the Sacred in English Drama, 1350-1642 606 $aEnglish drama$yEarly modern and Elizabethan, 1500-1600$xHistory and criticism 606 $aDevil in literature 606 $aEnglish drama$y17th century$xHistory and criticism 606 $aEnglish drama$yTo 1500$xHistory and criticism 606 $aChristian drama, English$xHistory and criticism 606 $aChristianity and literature$zEngland$xHistory 606 $aGood and evil in literature 606 $aHoly, The, in literature 606 $aEvil in literature 615 0$aEnglish drama$xHistory and criticism. 615 0$aDevil in literature. 615 0$aEnglish drama$xHistory and criticism. 615 0$aEnglish drama$xHistory and criticism. 615 0$aChristian drama, English$xHistory and criticism. 615 0$aChristianity and literature$xHistory. 615 0$aGood and evil in literature. 615 0$aHoly, The, in literature. 615 0$aEvil in literature. 676 $a822.009/351 700 $aCox$b John D.$f1945-$0131533 801 0$bUkCbUP 801 1$bUkCbUP 906 $aBOOK 912 $a9910777344503321 996 $aDevil and the sacred in English drama, 1350-1642$91270928 997 $aUNINA