LEADER 03039nam  2200625Ia 450 
001 9910777023203321
005 20230828224524.0
010   $a1-383-04323-X
010   $a1-280-90385-6
010   $a0-19-153677-6
010   $a1-4294-9184-1
024 3 $z9780199286584
035   $a(CKB)1000000000414449
035   $a(EBL)430689
035   $a(OCoLC)609831019
035   $a(SSID)ssj0000114633
035   $a(PQKBManifestationID)11129092
035   $a(PQKBTitleCode)TC0000114633
035   $a(PQKBWorkID)10125295
035   $a(PQKB)11144861
035   $a(Au-PeEL)EBL430689
035   $a(CaPaEBR)ebr10183994
035   $a(CaONFJC)MIL90385
035   $a(MiAaPQ)EBC430689
035   $a(EXLCZ)991000000000414449
100   $a20060406d2006      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aBrecht and political theatre$b[electronic resource] $ethe mother on stage /$fLaura Bradley
210   $aOxford $cClarendon Press ;$aNew York $cOxford University Press$d2006
215   $a1 online resource (274 p.)
225 1 $aOxford modern languages and literature monographs
300   $aDescription based upon print version of record.
311   $a0-19-928658-2 
320   $aIncludes bibliographical references (p. [231]-247) and indexes.
327   $aContents; List of Illustrations; List of Abbreviations; Introduction; 1. From Nizhni-Novgorod to Moabit: The Genesis and Premie?re of Die Mutter, 1931-2; 2. Model or Museum Exhibit? Die Mutter at the Berliner Ensemble, 1951-71; 3. The Politics of Performance: Die Mutter in West and East Berlin, 1970 and 1974; 4. Translation and Transference since 1932; 5. Die Mutter and German Reunification, 1988-2003; Conclusion; Glossary; Bibliography; Index of Works; Index of Names and Subjects
330   $aThis study focuses on The Mother, Bertolt Brecht's most overtly political play and the only play which he staged in the Weimar Republic. Through detailed analysis of archival material, Bradley explores how Brecht's theatre practice developed and how it has subsequently been received and challenged by other directors, in and beyond Germany. - ;This production history of The Mother provides substantial new insights into Bertolt Brecht's theatre and drama, his impact on political theatre, and the relationship between text, performance, and politico-cultural context. As the only play which Brecht 
410  0$aOxford modern languages and literature monographs.
606   $aPolitical plays, German$xHistory and criticism
606   $aTheater$xPolitical aspects
615  0$aPolitical plays, German$xHistory and criticism.
615  0$aTheater$xPolitical aspects.
676   $a832.912
676   $a832/.912
700   $aBradley$b Laura J. R$01548003
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910777023203321
996   $aBrecht and political theatre$93804716
997   $aUNINA