LEADER 04992nam 22006014a 450 001 9910777006003321 005 20210616222249.0 010 $a0-231-50836-0 024 7 $a10.7312/omea12350 035 $a(CKB)1000000000445339 035 $a(EBL)909325 035 $a(OCoLC)213304896 035 $a(SSID)ssj0000265717 035 $a(PQKBManifestationID)11192431 035 $a(PQKBTitleCode)TC0000265717 035 $a(PQKBWorkID)10300396 035 $a(PQKB)10238947 035 $a(MiAaPQ)EBC909325 035 $a(DE-B1597)459187 035 $a(OCoLC)979574757 035 $a(DE-B1597)9780231508360 035 $a(Au-PeEL)EBL909325 035 $a(CaPaEBR)ebr10183419 035 $a(CaONFJC)MIL675147 035 $a(EXLCZ)991000000000445339 100 $a20031114d2004 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aUptown conversation$b[electronic resource] $ethe new jazz studies /$fedited by Robert G. O'Meally, Brent Hayes Edwards, and Farah Jasmine Griffin 210 $aNew York $cColumbia University Press$dc2004 215 $a1 online resource 300 $aDescription based upon print version of record. 311 0 $a0-231-12351-5 311 0 $a0-231-12350-7 320 $aIncludes bibliographical references and index. 327 $tFront matter --$tContents --$tAcknowledgments --$tIntroductory Notes /$rO'Meally, Robert G. / Edwards, Brent Hayes / Griffin, Farah Jasmine --$tPart 1 --$tSongs of the Unsung: The Darby Hicks History of Jazz /$rLipsitz, George --$t"All the Things You Could Be by Now": Charles Mingus Presents Charles Mingus and the Limits of Avant-Garde Jazz /$rWashington, Salim --$tExperimental Music in Black and White: The AACM in New York, 1970-1985 /$rLewis, George --$tWhen Malindy Sings: A Meditation on Black Women's Vocality /$rGriffin, Farah Jasmine --$tHipsters, Bluebloods, Rebels, and Hooligans: The Cultural Politics of the Newport Jazz Festival, 1954-1960 /$rGennari, John --$tMainstreaming Monk: The Ellington Album /$rTucker, Mark --$tThe Man /$rSzwed, John --$tPart 2 --$tThe Real Ambassadors /$rEschen, Penny M. von --$tArtistic Othering in Black Diaspora Musics: Preliminary Thoughts on Time, Culture, and Politics /$rGaines, Kevin --$tNotes on Jazz in Senegal /$rMangin, Timothy R. --$tRevisiting Romare Bearden's Art of Improvisation /$rHarris-Kelley, Diedra --$tLouis Armstrong, Bricolage, and the Aesthetics of Swing /$rVeneciano, Jorge Daniel --$tChecking Our Balances: Louis Armstrong, Ralph Ellison, and Betty Boop /$rO'Meally, Robert G. --$tParis Blues: Ellington, Armstrong, and Saying It with Music /$rGabbard, Krin --$t"How You Sound??": Amiri Baraka Writes Free Jazz /$rHarris, William J. --$tThe Literary Ellington /$rEdwards, Brent Hayes --$t"Always New and Centuries Old": Jazz, Poetry, and Tradition as Creative Adaptation /$rJackson, Travis A. --$tA Space We're All Immigrants From: Othering and Communitas in Nathaniel Mackey's Bedouin Hornbook /$rBeavers, Herman --$tExploding the Narrative in Jazz Improvisation /$rIyer, Vijay --$tBeneath the Underground: Exploring New Currents in "Jazz" /$rKelley, Robin D. G. --$tContributors --$tIndex 330 $aJackson Pollock dancing to the music as he painted; Romare Bearden's stage and costume designs for Alvin Ailey and Dianne McIntyre; Stanley Crouch stirring his high-powered essays in a room where a drumkit stands at the center: from the perspective of the new jazz studies, jazz is not only a music to define-it is a culture. Considering musicians and filmmakers, painters and poets, the intellectual improvisations in Uptown Conversation reevaluate, reimagine, and riff on the music that has for more than a century initiated a call and response across art forms, geographies, and cultures. Building on Robert G. O'Meally's acclaimed Jazz Cadence of American Culture, these original essays offer new insights in jazz historiography, highlighting the political stakes in telling the story of the music and evaluating its cultural import in the United States and worldwide. Articles contemplating the music's experimental wing-such as Salim Washington's meditation on Charles Mingus and the avant-garde or George Lipsitz's polemical juxtaposition of Ken Burns's documentary Jazz and Horace Tapscott's autobiography Songs of the Unsung-share the stage with revisionary takes on familiar figures in the canon: Thelonious Monk, Miles Davis, Duke Ellington, and Louis Armstrong. 606 $aJazz$xHistory and criticism 615 0$aJazz$xHistory and criticism. 676 $a781.65/09 701 $aO'Meally$b Robert G.$f1948-$01480019 701 $aEdwards$b Brent Hayes$01011834 701 $aGriffin$b Farah Jasmine$01480020 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910777006003321 996 $aUptown conversation$93696476 997 $aUNINA