LEADER 02185nam 2200361 450 001 9910774887403321 005 20230224085234.0 035 $a(CKB)4920000001372366 035 $a(NjHacI)994920000001372366 035 $a(EXLCZ)994920000001372366 100 $a20230224d2022 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aPhilosophy of Cover Songs /$fP. D. Magnus 210 1$aCambridge, United Kingdom :$cOpen Book Publishers,$d2022. 215 $a1 online resource (145 pages) $cillustrations 311 $a1-80064-422-1 330 $aCover songs are a familiar feature of contemporary popular music. Musicians describe their own performances as covers, and audiences use the category to organize their listening and appreciation. However, until now philosophers have not had much to say about them. In A Philosophy of Cover Songs, P.D. Magnus demonstrates that philosophy provides a valuable toolbox for thinking about covers; in turn, the philosophy of cover songs illustrates some general points about philosophical method. Lucidly written, the book is divided into three parts: how to think about covers, appreciating covers, and the metaphysics of covers and songs. Along the way, it explores a range of issues raised by covers, from the question of what precisely constitutes a cover, to the history and taxonomy of the category, the various relationships that hold between songs, performances, and tracks, and the appreciation and evaluation of covers. This unique and engaging book will be of interest to those working in philosophy of art, philosophy of music, popular music studies, music history, and musicology, as well as to readers with a general interest in popular music, covers, and how we think about them. 606 $aCover versions 606 $aPhilosophy 615 0$aCover versions. 615 0$aPhilosophy. 676 $a781.64 700 $aMagnus$b P. D.$01278819 801 0$bNjHacI 801 1$bNjHacl 906 $aBOOK 912 $a9910774887403321 996 $aPhilosophy of Cover Songs$93013961 997 $aUNINA