LEADER 01842nam 2200385 450 001 9910774860003321 005 20230219080200.0 035 $a(CKB)4330000001274581 035 $a(NjHacI)994330000001274581 035 $a(EXLCZ)994330000001274581 100 $a20230219d2015 uy 0 101 0 $aita 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 12$aL'immagine del cane in Franz Kafka /$fGiuseppina Pastorelli 210 1$aFlorence, Italy :$cFirenze University Press,$d[2015] 210 4$dİ2015 215 $a1 online resource (246 pages) 225 1 $aPremio Tesi di Dottorato 311 $a88-6655-939-3 320 $aIncludes bibliographical references. 330 $aWithin the Kafkaesque bestiary, the dog is undoubtedly the animal that deserves a more careful study: it is the image which the author uses the most, in literary writing but also in the private one, and which occupies a a very large time span, so much so that it becomes a real key figure through which to read Kafka's work from a possible new perspective. The volume aims to demonstrate how the problems that have characterized Kafka's existence are hidden behind the dog's symbology, the reflections around which he has concentrated, throughout his life, his thought and his writing: the woman and the question of marriage, writing itself, religion as a relationship with the divine. 410 0$aPremio Firenze University Press tesi di dottorato (Series) 606 $aDogs in literature 615 0$aDogs in literature. 676 $a833.912 700 $aPastorelli$b Giuseppina$01278489 801 0$bNjHacI 801 1$bNjHacl 906 $aBOOK 912 $a9910774860003321 996 $aL'immagine del cane in Franz Kafka$93668839 997 $aUNINA