LEADER 05623nam 22007455 450 001 9910774819803321 005 20240418143502.0 010 $a3-11-075448-7 035 $a(CKB)5670000000398015 035 $a(DE-B1597)585297 035 $a(DE-B1597)9783110754483 035 $a(MiAaPQ)EBC7163063 035 $a(Au-PeEL)EBL7163063 035 $a(OCoLC)1349351778 035 $a(EXLCZ)995670000000398015 100 $a20221107h20222023 fg 101 0 $aeng 135 $aur||#|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aComics and Agency /$fed. by Jan-Noël Thon, Vanessa Ossa, Lukas R. A. Wilde 205 $a1st ed. 210 1$aBerlin ;$aBoston :$cDe Gruyter,$d[2022] 210 4$d©2023 215 $a1 online resource (VI, 305 p.) 225 0 $aComics Studies : Aesthetics, Histories, and Practices ;$v1 311 $a3-11-075440-1 327 $tFrontmatter --$tContents --$tComics and Agency --$tWhat We Do with Comics: The Agency of Collectors in Dylan Horrock?s Hicksville --$tTintin?s Global Journey: Editors as Invisible Actors behind the Comics Industry of the 1960s --$tHow a German Publisher Appropriates Comics It Did Not Originally Publish --$tThe Agents of Doom: An Empirical Approach to Transmedia Actors --$tAgency in the Making: Distribution and Publication as Topics in Nikolas Mahler?s Die Goldgruber Chroniken and the Anthology Drawn & Quarterly --$tComics Artist versus Artistic Genius: Kverneland and Fiske?s Approach to Artists, Metafiction, and Allusion to Contemporary Sources in Kanon --$tDeath of the Endless and Fan Projections --$t?I Always Win?: Corporate Comics, Delinquent Fans, and the Body of Richard C. Meyer --$tPilgrimage to Hall H: Fan Agency at Comic-Con --$tLibrarians, Agency, Young People, and Comics: Graphic Account and the Development of Graphic Novel Collections in Libraries in Britain in the 1990s --$tLearning from Pupils about Conviviality --$tAda in the Jungle and Aya of Yop City: Negotiating ?Africa? in Comics --$tTelling Stories with Photo Archives: Intermedial Agency in Documentary Comics --$tWho Controls the Speech Bubbles? Reflecting on Agency in Comic-Games --$tNotes on Contributors --$tIndex 330 $aThis volume aims to intensify the interdisciplinary dialogue on comics and related popular multimodal forms (including manga, graphic novels, and cartoons) by focusing on the concept of medial, mediated, and mediating agency. To this end, a theoretically and methodologically diverse set of contributions explores the interrelations between individual, collective, and institutional actors within historical and contemporary comics cultures. Agency is at stake when recipients resist hegemonic readings of multimodal texts. In the same manner, ?authorship? can be understood as the attribution of agency of and between various medial instances and roles such as writers, artists, colorists, letterers, or editors, as well as with regard to commercial rights holders such as publishing houses or conglomerates and reviewers or fans. From this perspective, aspects of comics production (authorship and institutionalization) can be related to aspects of comics reception (appropriation and discursivation), and circulation (participation and canonization), including their potential for transmedialization and making contributions to the formation of the public sphere. 410 0$aComics Studies 606 $aLITERARY CRITICISM / European / General$2bisacsh 610 $aagency. 610 $acomics. 610 $afan culture. 610 $aparticipatory culture. 615 7$aLITERARY CRITICISM / European / General. 676 $a741.5 702 $aAhrens$b Jörn$4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aBacke$b Hans-Joachim$4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aBecker$b Romain$4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aBock$b Anke Marie$4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aBurton$b Jessica$4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aEggert$b Barbara Margarethe$4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aGibson$b Mel$4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aGlötter$b Laura$4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aHibbett$b Mark$4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aJenkins$b Henry$4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aLehnerer$b Cathérine$4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aOssa$b Vanessa$4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aOssa$b Vanessa$4edt$4http://id.loc.gov/vocabulary/relators/edt 702 $aPizzino$b Christopher$4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aSchneider$b Greice$4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aShah$b Ashumi$4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aSmith$b Matthew J.$4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aThon$b Jan-Noël$4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aThon$b Jan-Noël$4edt$4http://id.loc.gov/vocabulary/relators/edt 702 $aWilde$b Lukas R. A.$4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aWilde$b Lukas R. A.$4edt$4http://id.loc.gov/vocabulary/relators/edt 801 0$bDE-B1597 801 1$bDE-B1597 906 $aBOOK 912 $a9910774819803321 996 $aComics and Agency$92967048 997 $aUNINA