LEADER 02968nam 2200421 450 001 9910583488603321 005 20230120002722.0 010 $a0-08-101133-4 010 $a0-08-101211-X 035 $a(CKB)4100000000972616 035 $a(MiAaPQ)EBC5144657 035 $a(EXLCZ)994100000000972616 100 $a20171209h20182018 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 00$aAutomation in garment manufacturing /$fedited by Rajkishore Nayak, Rajiv Padhye 210 1$aDuxford, England :$cWoodhead Publishing, an imprint of Elsevier,$d2018. 210 4$dİ2018 215 $a1 online resource (428 pages) $cillustrations, tables 225 0 $aThe Textile Institute Book Series 320 $aIncludes bibliographical references at the end of each chapters and index. 327 $aIntroduction to automation in garment manufacturing -- Automation versus modeling and simulation -- Automation in production of yarns, woven, and knitted fabrics -- Automation in fabric inspection -- Artificial intelligence and its application in the apparel industry -- Automation in spreading and cutting -- Automation in material handling -- Application of robotics in garment manufacturing -- Automation in sewing technology -- 3D body scanning -- Computer-aided design: garment designing and patternmaking -- Advancements in production planning and control -- Use of advanced tools and equipment in industrial engineering -- automation in quality monitoring of fabrics and garment seams -- Recent developments in the garment supply chain. 330 $aAutomation in Garment Manufacturing provides a systematic and comprehensive insight into the multifaceted process of how technological improvements are transforming all aspects of garment manufacturing, allowing manufacturers to meet the growing demand for greater productivity, efficiency, and flexibility. The first chapter covers the role of automation in design and product development, including color matching, fabric inspection, 3D body scanning, computer-aided design and prototyping. Part II covers automation in garment production, from handling, spreading and cutting, through to finishing and pressing techniques. The final chapters discuss advanced tools for assessing productivity in manufacturing and for logistics and supply-chain management. This book is a key resource for all those engaged in textile and apparel development and production, and is also ideal for academics engaged in research on textile science and technology. 606 $aTextile industry$xAutomation 615 0$aTextile industry$xAutomation. 676 $a677.028 702 $aNayak$b Rajkishore 702 $aPadhye$b Rajiv 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910583488603321 996 $aAutomation in garment manufacturing$92120357 997 $aUNINA LEADER 02943nam 2200469 450 001 9910774705103321 005 20221224052204.0 010 $a1-00-318403-0 010 $a1-000-53847-8 010 $a1-000-53840-0 010 $a1-003-18403-0 035 $a(CKB)5600000000024680 035 $a(NjHacI)995600000000024680 035 $a(MiAaPQ)EBC7244662 035 $a(Au-PeEL)EBL7244662 035 $a(EXLCZ)995600000000024680 100 $a20221224d2022 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 14$aThe Acoustic Self in English Modernism and Beyond $eWriting Musically /$fZoltan Varga 205 $aFirst edition. 210 1$a[Place of publication not identified] :$cRoutledge,$d2022. 210 4$dİ2022 215 $a1 online resource (168 pages) 311 $a1-03-202584-0 320 $aIncludes bibliographical references and index. 327 $aIntroduction. We Hear Only Ourselves -- Let's Get Lost -- Of Fugue and Other Demons -- Does Beethoven Kill? - Absolute Music and the Self -- Wagner, Je T'aime ... Moi Non Plus -- The Dispersion of the Acoustic Self. 330 $aDrawing on the analogy between musical meaning-making and human subjectivity,? this book? develops the concept of the? acoustic self, exploring? the ways in which musical characterization and structure are related to issues of subject-representation in the modernist English novel.? The volume is framed around three musical topics???the fugue, absolute music, and? Gesamtkunstwerk???arguing that these three modes of musicalization address modernist dilemmas around selfhood and identity. Varga reflects on the manifestations of the? acoustic self? in examples from the works of E.M. Forster, Aldous Huxley, and Virginia Woolf and such musicians as Bach, Beethoven, Handel, and Wagner. An additional chapter on jazz and electronic music supplements these inquiries, pursuing the? acoustic self? beyond modernism and thereby inciting further discussion and theorization of musical intermediality, as well as recent sonic practices.? Probing the analogies in the complex interrelationship between music, representation, and language in fictional texts and the nature of human subjectivity, this book will appeal to scholars interested in the interface of language and music, in such areas as intermediality, multimodality, literary studies, critical theory, and modernist studies. 517 $aAcoustic Self in English Modernism and Beyond 606 $aMusic$xPhilosophy and aesthetics 615 0$aMusic$xPhilosophy and aesthetics. 676 $a780.1 700 $aVarga$b Zoltan$01272439 801 0$bNjHacI 801 1$bNjHacl 906 $aBOOK 912 $a9910774705103321 996 $aThe Acoustic Self in English Modernism and Beyond$93664685 997 $aUNINA