LEADER 02067nam 2200337zn 450 001 9910773147303321 005 20240319140305.0 035 $a(CKB)4920000003133492 035 $a(NjHacI)994920000003133492 035 $a(EXLCZ)994920000003133492 100 $a20240319d2023 uu 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aChapter 4, contracts via comics $emigrant workers and Thai fishing vessel employment contracts /$fAnne Ketola 210 1$a[Place of publication not identified] :$cTaylor & Francis,$d2023. 215 $a1 online resource (15 pages) 330 $aComic contracts are legally binding contracts presented as comics, where the parties to the contract are represented as characters and the contract terms are communicated mainly visually. This chapter examines a comic contract created in the context of the Thai fishing industry. The industry is dependent on Myanmar and Cambodian migrants for its viability, but it is also notorious for the abuse that they can suffer on the vessels. The new contract is created in a visual format to ease the language barriers between the local vessel owners and the migrant workers. In comparison to the employment contracts offered to this group of workers in the past, this particular type of contract aims to afford the employee the dignity of autonomously understanding their rights during employment. In this chapter, we examine how the creators of the comic contract have used visual resources to create a document that is comprehensible by its users and able to fulfil its function in legal knowledge exchange. 517 $aChapter 4 Contracts via comics 606 $aGraphic novels$xHistory and criticism 615 0$aGraphic novels$xHistory and criticism. 676 $a741.59 700 $aKetola$b Anne$01732393 801 0$bNjHacI 801 1$bNjHacl 906 $aBOOK 912 $a9910773147303321 996 $aChapter 4, contracts via comics$94146398 997 $aUNINA