LEADER 02249nam 2200337zn 450 001 9910773146903321 005 20240319131533.0 035 $a(CKB)4920000003133496 035 $a(NjHacI)994920000003133496 035 $a(EXLCZ)994920000003133496 100 $a20240319d2023 uu 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aChapter 2, the long road to Almanya $ecomics in language education for "guest workers" in West Germany, 1970s-1980s /$fSylvia Kesper-Biermann 210 1$a[Place of publication not identified] :$cTaylor & Francis,$d2023. 215 $a1 online resource (18 pages) 330 $aThis article argues that Amalia Alvarez's comics album The Stories of Five Undocumented Women (2013), based on a collection of stories told by migrant women, and Daria Bogdanska's autobiographical comics album Wage Slaves (2016) can be regarded as feminist comics activism. They are examples of comics activism since the comics point to an essential topic in opposition to a controversial issue, namely, the treatment of migrant women. The comics' emphasis on the situation of migrant women also makes it relevant to regard them as feminist activism, since they have a performative potential to create change regarding politics and legislation. The stories can influence how readers formulate and communicate thoughts about themselves and others, and they can contribute to changing societal structures. The comics also show how it is possible to mobilise resistance, generate support networks, and create hope. By making and publishing the comics, Alvarez and Bogdanska give migrant women an opportunity to come to voice and talk back against their situation, as well as against people who just express pity instead of taking action. 517 $aChapter 2 The long road to Almanya 606 $aGraphic novels$xHistory and criticism 615 0$aGraphic novels$xHistory and criticism. 676 $a741.59 700 $aKesper-Biermann$b Sylvia$01732461 801 0$bNjHacI 801 1$bNjHacl 906 $aBOOK 912 $a9910773146903321 996 $aChapter 2, the long road to Almanya$94146630 997 $aUNINA