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001 9910772088903321
005 20191219
010   $a1-78542-084-4
035   $a(CKB)4100000010014483
035   $a(OAPEN)1006644
035   $a(NjHacI)994100000010014483
035   $a(EXLCZ)994100000010014483
100   $a20191219d||||      uy              
101 0 $aeng
135   $auuuuu---auuuu
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 00$aImmediation I
210   $cOpen Humanities Press$d2019
215   $a1 online resource (333) 
311   $a1-78542-062-3 
327   $aList of Diagrams and Figures -- First Movement: The World Immediating -- Second Movement: The More-Than Human -- Third Movement: Ecologies of Practices -- Interlude -- Notes on Contributors -- Works Cited -- Contents Immediation II.
330   $aAll ?media-tion? stages and distributes real, embodied ? that is, immediate, events. The concept of immediation entails that cultural, technical, aesthetic objects, subjects, and events can no longer be abstracted from the ways in which they contribute to and are changed by broader ecologies. Immediation I and II seek to engage the entwined questions of relation, event and ecology from outside already claimed territories, nomenclature and calls to action.
606   $aThe arts$2bicssc
606   $aDigital lifestyle$2bicssc
615  7$aThe arts
615  7$aDigital lifestyle
676   $a700.1
702   $aManning$b Erin
702   $aMunster$b Anna
702   $aStavning Thomsen$b Bodil Marie
801  0$bNjHacI
801  1$bNjHacl
906   $aBOOK
912   $a9910772088903321
996   $aImmediation$93363236
997   $aUNINA