LEADER 05037nam 2200529 450 001 9910772079403321 005 20240112051730.0 010 $a1-00-329083-3 010 $a1-000-87288-2 010 $a1-003-29083-3 035 $a(CKB)5590000001030637 035 $a(MiAaPQ)EBC7234268 035 $a(Au-PeEL)EBL7234268 035 $a(NjHacI)995590000001030637 035 $a(OCoLC)1375297412 035 $a(EXLCZ)995590000001030637 100 $a20240112d2023 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aUnderstanding Authenticity in Chinese Cultural Heritage /$fedited by Anke Hein and Christopher J. Foster 205 $aFirst edition. 210 1$aAbingdon, Oxon :$cRoutledge,$d[2023] 210 4$dİ2023 215 $a1 online resource (325 pages) 225 1 $aRoutledge Research on Museums and Heritage in Asia Series 300 $aIncludes index. 311 $a1-03-226989-8 327 $aPart I: Art and Material Culture; 1. The Construction and Deconstruction of Authenticity in Chinese Art; 2. Copy, Yet Original: Re-examining "Fang Ni Zan" Paintings in the 15th - 17th Century; 3. Substitutional Objects: The Authenticity of Su Shi's Snowy Wave Stone from 1101 to 1700; 4. Shanzhai Tensions in U.S.-Chinese Cultural Heritage Diplomacy; Part II: Cultural Heritage Management and Preservation; 5. UNESCO World Heritage and the Problem of Authenticity: The Case of Built Structures and China´s Tangible Cultural Heritage; 6. Exploring the Implication of Tourism for Heritage Interpretation of National Archaeological Parks in China: The Case of Linzi Qi State Site; 7. Perspectives on Authenticity and the Preservation of the Great Wall of China; 8. Critical Chinese Copying as an Interrogation of the Hegemony of Modernity; 9. Can a Copy Deliver an Authentic Experience? An Interdisciplinary Approach to Fieldwork Conducted in Southeast China; Part III: Living and Intangible Cultural Heritage; 10. Crafting Authenticity: Two Case Studies of the Material Metamorphosis of Cultural Heritage in China's Creative Economy;11. The Authenticity Problem in Conteporary Techniques of Zisha Teapot Making; 12. The Modern Invention of Big Red Robe Tea: History, Science, Story, and Performance;13. Chapter 13. Authenticity, Legitimacy, and Mimesis in the Production and use of Chinese-inspired Japanese Tea Ceremony Utensils: Karamono (Chinese Things); Part IV: Texts and Manuscripts;14. "Authenticity" and Shu: What is at Stake?; 15. (Mis)remembering the Tang? Issues of Authenticity Surrounding the Attribution of the Ershisi Shipin to Sikong Tu; 16. Authenticity and Self-representation: A Case Study of Song Zhiwen;17. Authenticity beyond Authority? The Case of Handwritten Entertainment Fiction from the Chinese Cultural Revolution --. 330 $aUnderstanding Authenticity in Chinese Cultural Heritage explores the construction of "authenticity" and its consequences in relation to Chinese cultural heritage--those objects, texts, and intangible practices concerned with China's past. Including contributions from scholars around the world reflecting on a range of different materials and time periods, Understanding Authenticity emphasizes the situatedness and fluidity of authenticity concepts. Attitudes toward authenticity change over time and place, and vary between communities and object types, among stakeholders in China as they do elsewhere. The book examines how "authenticity" relates to four major aspects of cultural heritage in China--art and material culture; cultural heritage management and preservation; living and intangible heritage; and texts and manuscripts--with individual contributions engaging in a critical and interdisciplinary conversation that weaves together heritage management, art history, archaeology, architecture, tourism, law, history, and literature. Moving beyond conceptual issues, the book also considers the practical ramifications for work in cultural heritage management, museums, and academic research. Understanding Authenticity in Chinese Cultural Heritage provides an opportunity for reflection on the contingencies of authenticity debates - not only in relation to China, but also anywhere around the world. The book will be of interest to scholars and students in a variety of fields, including heritage studies, Asian studies, art history, museum studies, history, and archaeology. 410 0$aRoutledge research on museums and heritage in Asia. 606 $aAuthenticity (Philosophy) 606 $aCultural property$xProtection$zChina 615 0$aAuthenticity (Philosophy) 615 0$aCultural property$xProtection 676 $a128 702 $aHein$b Anke 702 $aFoster$b Christopher J. 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910772079403321 996 $aUnderstanding Authenticity in Chinese Cultural Heritage$93702422 997 $aUNINA