LEADER 00767nam0 2200265 450 001 9910446159803321 005 20210419084927.0 010 $a9788821774102 100 $a20210419d2020---- km y0itay50 ba 101 0 $aita 102 $aIT 105 $ay 001yy 200 1 $aTournaround management$estrategie e politiche per risanare un'impresa in crisi$fMarco Fazzini [ a cura di ] 210 $aMilano$cWolters Kluwer$d2020 215 $a286 p.$d22 cm 225 1 $aInnovative management 676 $a346.078$v23 702 1$aFazzini$bMarco 801 0$aIT$bUNINA$gREICAT$2UNIMARC 901 $aBK 912 $a9910446159803321 952 $aGRDDCOMM171A$b3044$fDECBC 959 $aDECBC 996 $aTournaround management$91772143 997 $aUNINA LEADER 02904nam 22004693 450 001 9910768400903321 005 20251218084512.0 010 $a9782735129690 010 $a2735129691 035 $a(PPN)274481065 035 $a(CKB)29361714300041 035 $a(MiAaPQ)EBC31061246 035 $a(Exl-AI)31061246 035 $a(Au-PeEL)EBL31061246 035 $a(OCoLC)1417195585 035 $a(EXLCZ)9929361714300041 100 $a20251218d2024 uy 0 101 0 $afre 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aJacques Louis David, la Traite Négrière et L'esclavage $eSon Séjour à Nantes, Mars-Avril 1790 205 $a1st ed. 210 1$aChicago :$cdiaphanes,$d2024. 210 4$d©2023. 215 $a1 online resource (176 pages) 311 08$a9782735129683 327 $aJacques Louis David, la traite négrière et l?esclavage -- 9 - Introduction -- 17 - I. Une célébrité artistique très politique -- 25 - II. L?ami des Amis des Noirs -- 39 - III. L?appel des édiles nantais -- 49 - IV. David répond à Mathurin Crucy le 9 décembre 1789 -- 53 - V. L?accueil de David à Nantes -- 61 - VI. Le portrait de Kervegan -- 71 - VII. Un long mois à Nantes -- 83 - VIII. Le « tableau de Nantes » -- 93 - IX. La composition allégorique -- 113 - X. Du « tableau de Nantes » au Serment du Jeu de Paume -- 123 - Épilogue. Le peintre et ses élèves au temps de l?abolition -- 139 - Notes -- 165 - Index -- 171 - Remerciements -- 173 - Crédits photographiques$7Generated by AI. 330 $aThis book explores the intersection of art and politics through the life and works of Jacques Louis David, a prominent French painter during the late 18th century. Focusing on David's time in Nantes in 1790, the text delves into his connections with the abolitionist movement and his allegorical artwork related to the French Revolution. The author examines how David's paintings challenged academic institutions and reflected Enlightenment ideals that contributed to the French Revolution. The narrative also addresses the complexities of historical interpretation and the evolving perspectives on David?s legacy, particularly in relation to colonialism and racism. This scholarly work is intended for an audience interested in art history, political history, and cultural studies.$7Generated by AI. 606 $aArt, French$7Generated by AI 606 $aAbolitionists$7Generated by AI 615 0$aArt, French 615 0$aAbolitionists 700 $aBordes$b Philippe$01323985 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910768400903321 996 $aJacques Louis David, la Traite Négrière et L'esclavage$94467855 997 $aUNINA