LEADER 00745nam0 2200229 450 001 000003744 005 20050630120000.0 010 $a0-19-924123-6 100 $a--------d2000----km-y0itay50------ba 101 $aeng 102 $aGB 200 1 $aMajor recessions$eBritain and the world, 1920-1995$fChristopher Dow 210 $aOxford [etc.]$cOxford university press$d2000 215 $aIX, 471 p.$cgraf. e tab.$d24 cm 610 1 $aCrisi economiche$aSec. 20. 610 1 $aGran Bretagna$aCrisi economiche$aSec. 20. 700 1$aDow,$bJohn Christopher Roderick$0630179 801 0$aIT $bUNIPARTHENOPE $gRICA $2UNIMARC 912 $a000003744 951 $cNAVA2$a131/74$b9696$d20020327 996 $aMajor recessions$91223633 997 $aUNIPARTHENOPE LEADER 02797nam 2200457I 450 001 9910767598603321 005 20230811163555.0 010 $a1-80455-952-0 035 $a(CKB)27872841400041 035 $a(BIP)088672427 035 $a(UtOrBLW)9781804559543 035 $a(EXLCZ)9927872841400041 100 $a20230811h20232023 uy 0 101 0 $aeng 135 $aurun||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aSameness and repetition in contemporary media culture /$fSusana Tosca 210 $cEmerald Publishing$d2023 215 $a1 online resource (272 p.) 311 $a9781804559550 320 $aIncludes bibliographical references and index. 327 $aIntroduction -- Chapter 1. Definitions: Repetition, sameness, cognition and learning -- Chapter 2. Learning to love your stone: The aesthetics and experience of computer games -- Chapter 3. Sing, goddess, of the anger of achilles: Formal repetition in storytelling -- Chapter 4. Many happy returns: Sameness in digital literature, narrative games, adaptations and transmedial worlds -- Chapter 5. If you like that, you will love this: On sameness based algorithmic recommendation systems -- Chapter 6. Good artists copy, great artists steal: Creativity and originality in a new media landscape -- Chapter 7. In praise and criticism of repetition: The cultural affordances of repetitive media formats. 330 $aThe ebook edition of this title is Open Access and freely available to read online. Our culture has an uneasy relationship with repetition and sameness. On the one hand, we find familiarity pleasurable and soothing; on the other, we crave novelty and long for a sense of discovery. We blame algorithms, intent on selling us more of the same, and on a media industry too greedy to risk investing in intellectually challenging, radically new, products. Sameness and Repetition in Contemporary Media Culture takes a comprehensive approach that both theorises and historically grounds the idea of repetition in relation to media as something that is deeply embedded in our cultural tradition. This project received funding from the Carlsberg Foundation. 606 $aMass media$xAesthetics 606 $aRepetition (Aesthetics) 606 $aSocial Science$xMedia Studies$2bisacsh 606 $aMedia studies$2bicssc 615 0$aMass media$xAesthetics. 615 0$aRepetition (Aesthetics) 615 7$aSocial Science$xMedia Studies. 615 7$aMedia studies. 676 $a301 700 $aTosca$b Susana$01453110 801 0$bUtOrBLW 801 1$bUtOrBLW 906 $aBOOK 912 $a9910767598603321 996 $aSameness and Repetition in Contemporary Media Culture$93655606 997 $aUNINA LEADER 04089nam 2200661Ia 450 001 9910811972503321 005 20200520144314.0 010 $a1-282-06990-X 010 $a9786612069901 010 $a0-226-31615-7 024 7 $a10.7208/9780226316154 035 $a(CKB)1000000000725179 035 $a(EBL)432232 035 $a(OCoLC)646808765 035 $a(SSID)ssj0000136242 035 $a(PQKBManifestationID)11147073 035 $a(PQKBTitleCode)TC0000136242 035 $a(PQKBWorkID)10064446 035 $a(PQKB)10170606 035 $a(MiAaPQ)EBC432232 035 $a(DE-B1597)535746 035 $a(OCoLC)781292620 035 $a(DE-B1597)9780226316154 035 $a(Au-PeEL)EBL432232 035 $a(CaPaEBR)ebr10286150 035 $a(CaONFJC)MIL206990 035 $a(dli)HEB04836 035 $a(MiU)MIU01000000000000009797294 035 $a(EXLCZ)991000000000725179 100 $a19970121d1997 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe degradation of American history /$fDavid Harlan 210 $aChicago, Ill. $cUniversity of Chicago Press$d1997 215 $a1 online resource (326 p.) 300 $aDescription based upon print version of record. 311 $a0-226-31617-3 311 $a0-226-31616-5 320 $aIncludes bibliographical references (p. 215-277) and index. 327 $tFront matter --$tCONTENTS --$tACKNOWLEDGMENTS --$tINTRODUCTION ''It Hath No Relish if Salvation in It" --$tCHAPTER ONE. Deeper into the Wilderness --$tCHAPTER TWO. A People Blinded from Birth --$tCHAPTER THREE. Doubts and Dispossessions --$tCHAPTER FOUR. After Looking into the Abyss --$tCHAPTER FIVE. The Return if the Moral Imagination --$tCHAPTER SIX. A Choice of Inheritance --$tCHAPTER SEVEN. The Dream if a Common History --$tCHAPTER EIGHT. Love and Objectivity --$tEpilogue --$tNotes --$tIndex 330 $aAmerican historical writing has traditionally been one of our primary forms of moral reflection. However, David Harlan argues that in the disillusionment following the 1960's, history abandoned its redemptive potential and took up the methodology of the social sciences. In this provocative new book, Harlan describes the reasons for this turn to objectivity and professionalism, explains why it failed, and examines the emergence of a New Traditionalism in American historical writing. Part One, "The Legacy of the Sixties," describes the impact of literary theory in the 1970's and beyond, the rise of women's history, the various forms of ideological analysis developed by historians on the left, and the crippling obsession with professionalism in the 1980's. Part Two, "The Renewal of American Historical Writing," focuses on the contributions of John Patrick Diggins, Hayden White, Richard Rorty, Elaine Showalter, Henry Louis Gates Jr., and others. Harlan argues that at the end of the twentieth century American historical writing is perfectly poised to become what it once was: not one of the social sciences in historical costume, but a form of moral reflection that speaks to all Americans. "[A] wholly admirable work. This book will be talked about for years."-Library Journal 606 $aHistory$xMethodology 607 $aUnited States$xHistoriography$xMoral and ethical aspects 607 $aUnited States$xHistory$xMethodology 610 $ahistory, historiography, new traditionalism, methodology, social sciences, morality, reflection, disillusionment, objectivity, professionalism, women, gender, ideology, henry louis gates, elaine showalter, richard rorty, hayden white, john patrick diggins, marginalization, leftist politics, feminism, academia, scholarship, research, professor, nonfiction. 615 0$aHistory$xMethodology. 676 $a973/.07/2 700 $aHarlan$b David$g(David Craig)$01600842 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910811972503321 996 $aThe degradation of American history$93924174 997 $aUNINA