LEADER 01063nam--2200373---450 001 990002953640203316 005 20230515062239.0 010 $a88-89506-31-8 035 $a000295364 035 $aUSA01000295364 035 $a(ALEPH)000295364USA01 035 $a000295364 100 $a20070703d2006----km-y0itay50------ba 101 $aita 102 $aIT 105 $a||||||||001yy 200 1 $aMondo antico in rivolta (Napoli 1647-48)$fa cura di Aurelio Musi e Saverio Di Franco 210 $aManduria [etc.]$cLacaita$dc2006 215 $a266 p.$d22 cm. 225 2 $aEuropa mediterranea$v8 410 0$12001$aEuropa mediterranea$v8 454 1$12001 461 1$1001-------$12001 606 0 $aNapoli$z1647-1648$xFonti 676 $a945.731072 702 1$aMUSI,$bAurelio 702 1$aDI FRANCO,$bSaverio 801 0$aIT$bsalbc$gISBD 912 $a990002953640203316 951 $aX.2.A. 303$b197083 L.M.$cX.2.A.$d00160456 959 $aBK 969 $aUMA 996 $aMondo antico in rivolta (Napoli 1647-48$91031198 997 $aUNISA LEADER 04863nam 22007575 450 001 9910766890103321 005 20240326100707.0 010 $a9783031451980 010 $a3031451988 024 7 $a10.1007/978-3-031-45198-0 035 $a(CKB)29092394800041 035 $a(MiAaPQ)EBC30975867 035 $a(Au-PeEL)EBL30975867 035 $a(DE-He213)978-3-031-45198-0 035 $a(OCoLC)1412622082 035 $a(EXLCZ)9929092394800041 100 $a20231127d2024 u| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aAnglo-American Stage and Screen Drama $eThe Post-Democratic World Order /$fby Mike Ingham 205 $a1st ed. 2024. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2024. 215 $a1 online resource (293 pages) 311 08$a9783031451973 327 $aIntroduction:Anglophone Drama in a Post-Democratic, Post-Truth World -- Chapter 1. Western Theatre as Sociopolitical Forum?A Short History -- Chapter 2. Progressive Western Cinema -- Chapter 3. Case-study Films and Plays from the First Decade -- Chapter 4. Case-study Films and Plays from the First Decade -- Chapter 5. Case-study Films and Plays from the Second Decade.-Chapter 6. Case-study Films and Plays from the Second Decade -- Conclusion: Progressive Drama and its Potentialities . 330 $aAnglo-American Stage and Screen Drama analyses and discusses the contemporary role of stage and screen drama as a critical forum for progressive thinking in an increasingly polarised geopolitical world. The book addresses the cultural politics of socially engaged 21st century stage plays and films, and makes the case for drama as a sociopolitical forum, in which the complex and contentious issues that confront society can be explored and debated. It conceives of Anglophone political drama as a significant intervention in today?s culture wars, representing the latter as a convenient distraction from the ongoing depredations of neoliberalism. In the main part of the book selected case-study plays and films from each of the first two decades illustrate drama?s capacity to influence critical debate on social justice issues. All of the case-study texts under discussion express a powerful aesthetics of resistance to right-wing ideology, and promote inclusive and enlightened values. This broader orientation underlines drama?s role as a channel for critical agency in today?s putative post-socialist, post-democratic climate. Mike Ingham is Adjunct Professor of English Studies in the English Department at The Chinese University of Hong Kong and a dedicated tertiary teacher and former teacher-trainer. His research interests include stage and screen drama, Shakespeare studies, Hong Kong literature in English, and drama in education. Mike is also a founder member of Theatre Action, a Hong Kong-based drama group specialising in action research on literary dramatic texts. Previous monograph publications include Staging Fictions - The Prose Fiction Stage Adaptation as Social Allegory (2004), Hong Kong - A Cultural and Literary History (2007), Stage-play and Screen-play: The Intermediality of Theatre and Cinema (2017) and The Intertextuality and Intermediality of theAnglophone Popular Song (2022). He has also produced journal articles and book chapters on adaptation for stage and screen, early modern drama, documentary and feature film in Asian and Western contexts, and drama pedagogy. 606 $aTheater$xHistory 606 $aPerforming arts 606 $aTheater 606 $aMotion pictures 606 $aTelevision broadcasting 606 $aMotion picture acting 606 $aCultural policy 606 $aPopular culture 606 $aContemporary Theatre and Performance 606 $aTheatre and Performance Arts 606 $aFilm and Television Studies 606 $aScreen Performance 606 $aCultural Policy and Politics 606 $aPopular Culture 615 0$aTheater$xHistory. 615 0$aPerforming arts. 615 0$aTheater. 615 0$aMotion pictures. 615 0$aTelevision broadcasting. 615 0$aMotion picture acting. 615 0$aCultural policy. 615 0$aPopular culture. 615 14$aContemporary Theatre and Performance. 615 24$aTheatre and Performance Arts. 615 24$aFilm and Television Studies. 615 24$aScreen Performance. 615 24$aCultural Policy and Politics. 615 24$aPopular Culture. 676 $a792.9 700 $aIngham$b Mike$0146905 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910766890103321 996 $aAnglo-American Stage and Screen Drama$93648643 997 $aUNINA