LEADER 03759nam 2200793Ia 450 001 9910765999003321 005 20241120173213.0 010 $a9786612320187 010 $a9781135875152 010 $a1135875154 010 $a9781282320185 010 $a1282320181 010 $a9780203005002 010 $a0203005007 024 8 $ahttps://doi.org/10.4324/9780203005002 035 $a(CKB)1000000000248016 035 $a(EBL)201237 035 $a(OCoLC)475914151 035 $a(SSID)ssj0000107752 035 $a(PQKBManifestationID)11138528 035 $a(PQKBTitleCode)TC0000107752 035 $a(PQKBWorkID)10036534 035 $a(PQKB)11501412 035 $a(MiAaPQ)EBC201237 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/38445 035 $a(ODN)ODN0004014630 035 $a(ScCtBLL)531c5f16-f462-4f10-a5c1-8ea5eeed2d6b 035 $a(OCoLC)1135853549 035 $a(oapen)doab38445 035 $a(EXLCZ)991000000000248016 100 $a20040521d2005 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aAuthoring the self $eself-representation, authorship and the print market in British poetry from Pope through Wordsworth /$fScott Hess 210 $aNew York ;$aLondon $cRoutledge$d2005 215 $a1 online resource (325 p.) 225 1 $aLiterary criticism and cultural theory 300 $aDescription based upon print version of record. 311 08$a0-415-97128-4 311 08$a0-415-76271-5 320 $aIncludes bibliographical references and index. 327 $aBook Cover; Half-Title; Title; Copyright; Contents; Acknowledgements; Introduction; 1 The Eighteenth- and Early-Nineteenth- Century British Print Market, the Author, and Romantic Hermeneutics; 2 ""Books and the Man"": Alexander Pope, Print Culture, and Authorial Self-Making; 3 ""Approach and Read"" Gray's Elegy, Print Culture, and Authorial Identity; 4 James Beattie's Minstrel and the Progress of the Poet; 5 William Cowper: The Accidental Poet and the Emerging Self; 6 ""My Office Upon Earth"": William Wordsworth, Professionalism, and Poetic Identity 327 $a7 Pedlars, Poets, and the Print Market: Wordsworth's Poetic Self-RepresentationEpilogue: The Romantic Deep Self as Authorial Self; Notes; Bibliography; Index 330 $aDrawing upon historicist and cultural studies approaches to literature, this book argues that the Romantic construction of the self emerged out of the growth of commercial print culture and the expansion and fragmentation of the reading public beginning in eighteenth-century Britain. Arguing for continuity between eighteenth-century literature and the rise of Romanticism, this groundbreaking book traces the influence of new print market conditions on the development of the Romantic poetic self. 410 0$aLiterary criticism and cultural theory. 606 $aEnglish poetry$y18th century$xHistory and criticism 606 $aSelf in literature 606 $aRomanticism$zGreat Britain 606 $aPopular literature$zGreat Britain$xHistory and criticism 606 $aLiterature publishing$zGreat Britain$xHistory$y18th century 615 0$aEnglish poetry$xHistory and criticism. 615 0$aSelf in literature. 615 0$aRomanticism 615 0$aPopular literature$xHistory and criticism. 615 0$aLiterature publishing$xHistory 676 $a821.009 676 $a821.709384 686 $aLIT000000$aLIT004120$2bisacsh 700 $aHess$b Scott$0785146 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910765999003321 996 $aAuthoring the self$92947605 997 $aUNINA