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200 00$aUma dramaturgia da violência
210   $cImprensa de História Contemporânea$d2019
215   $a1 online resource (281)
311   $a989-8956-00-3 
330   $aThis book intends to examine the films of João Canijo and their ties to representations of national identity. For that purpose, we did a review of literature on Portuguese cultural identity in its diverse dimensions (historical, literary and anthropological), focusing on the importance of Salazar?s ideology and the current identity debates. In the second part of this thesis, we try to analyse eight feature films made by the director, proposing the idea of a dramaturgy of violence, through intertextuality with Greek tragedy and film melodrama, which gives a perspective of a representation of contemporary Portugal, based on a patriarchal society and its violence. We argue the importance of concepts such as non-inscription, by José Gil, or the repressed, by Eduardo Lourenço, to comprehend the films. At last, our analysis debates the issue of realism in cinema, through the prism of contemporary changes suggested by the work of the filmmaker, which fuses fictional and documentary elements. Finally, we suggest a type of dramaturgy of violence in João Canijo?s films that try to question the existing images of Portuguese identity and its cultural representations.
606   $aFilm theory & criticism$2bicssc
606   $aPostwar 20th century history, from c 1945 to c 2000$2bicssc
606   $aSocial & cultural history$2bicssc
615  7$aFilm theory & criticism
615  7$aPostwar 20th century history, from c 1945 to c 2000
615  7$aSocial & cultural history
700   $aRibas$b Daniel$f1978-,$4aut$01452250
906   $aBOOK
912   $a9910765877003321
996   $aUma dramaturgia da violência$93653618
997   $aUNINA