LEADER 00766nam0-22002891i-450- 001 990000891750403321 005 20060727160325.0 035 $a000089175 035 $aFED01000089175 035 $a(Aleph)000089175FED01 035 $a000089175 100 $a20020821d1982----km-y0itay50------ba 101 0 $aita 105 $ay-------001yy 200 1 $aViscoplasticity 210 $aBoston-London$cMartinus Niijhoff$d1982. 215 $ap.306$cill.$dcm 24 610 0 $aTeoria della Plasticita 700 1$aCristescu,$bNicolae$043082 702 1$aSuliciu,$bIon 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990000891750403321 952 $a03 TP.0,105$b3988$fIINTC 959 $aIINTC 996 $aViscoplasticity$9356595 997 $aUNINA LEADER 01845nam 2200385Ia 450 001 996387722603316 005 20200824132731.0 035 $a(CKB)4940000000087234 035 $a(EEBO)2240888161 035 $a(OCoLC)ocm52612168e 035 $a(OCoLC)52612168 035 $a(EXLCZ)994940000000087234 100 $a20030715d1665 uy 0 101 0 $aeng 135 $aurbn||||a|bb| 200 14$aThe remarkable prophesies in order to the present times$b[electronic resource] $ethe one of Gilpine Girnigo, one of the heritable poets of the old Thanes of Gilliquhimnee: the other of Sir Tristram, Clerk of the Kitchin to the Knights of King Arthur's Round Table. The first, faithfully translated out of the original Ersh, by Alister Mackfaddock, Principal of the Colledge of Laganachadrum: the other, out of the old Saxon, by Gustavus Gans, dreelmaster of Buxstihow. The third of Quean Guinivere, that was principall gigot, and dry nurse, to Sir Lancelot du Lake; he that was the great avenger of the injuries done to crackt chamber-maids 210 $aAmsterdam [i.e. Edinburgh] $cPrinted by Joacim Nosche$dAnno Dom. 1665 215 $a8 p 300 $aA satire. 300 $aAnonymous. Attributed to Thomas St. Serfe. 300 $aImprint false: correct place of publication from Wing. 300 $aHeadpiece; initial letter. 300 $aReproduction of the original in the National Library of Scotland. 330 $aeebo-0097 606 $aProphecies$vHumor$y17th century 606 $aSatire, English$y17th century 615 0$aProphecies 615 0$aSatire, English 700 $aSt. Serfe$b Thomas$cSir,$ffl. 1668.$0793394 801 0$bEAE 801 1$bEAE 906 $aBOOK 912 $a996387722603316 996 $aThe remarkable prophesies in order to the present times$92398308 997 $aUNISA LEADER 01689nam 22003973a 450 001 9910765788103321 005 20250203232556.0 010 $a9781920051679 010 $a1920051678 035 $a(CKB)5490000000052642 035 $a(ScCtBLL)846d2ef8-db1d-4509-9902-609104899d03 035 $a(OCoLC)1250408046 035 $a(Perlego)2336626 035 $a(EXLCZ)995490000000052642 100 $a20250203i20122020 uu 101 0 $aeng 135 $auru|||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 02$aA Contemporary Study of Musical Arts: Volume 5, Book 2$eInformed by African Indigenous Knowledge Systems /$fO'dyke Nzewi, Meki Nzewi 210 1$a[s.l.] :$cAfrican Minds,$d2012. 215 $a1 online resource (1 p.) 330 $aBook 2: Concert duos (Drum and voice/Woodwind/Horns) Volume 5 is on modern African classical drumming as an instrument of specialization for contemporary concert performances. It contains repertory for solo drumming, drum and voice/saxophone/trumpet duos, and intercultural drum ensemble works. The imperatives of advancing the indigenous philosophy and theory into global classical practices have informed the literary compositions demonstrating indigenous African compositional theory. 606 $aMusic / History & Criticism$2bisacsh 606 $aMusic 615 7$aMusic / History & Criticism 615 0$aMusic. 700 $aNzewi$b O'dyke$01786563 702 $aNzewi$b Meki 801 0$bScCtBLL 801 1$bScCtBLL 906 $aBOOK 912 $a9910765788103321 996 $aA Contemporary Study of Musical Arts: Volume 5, Book 2$94321103 997 $aUNINA