LEADER 03231nam 22003853a 450 001 9910765755103321 005 20230721041042.0 010 $a1-4780-9097-9 035 $a(CKB)5490000000052523 035 $a(ScCtBLL)b68a768c-aab0-4192-a1f0-7fd18a8c6228 035 $a(EXLCZ)995490000000052523 100 $a20211214i20092019 uu 101 0 $aeng 135 $auru|||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aJacques Rancie?re : $eHistory, Politics, Aesthetics /$fPhillip Watts, Kristin Ross, Alain Badiou, Gabriel Rockhill 210 1$aDurham, NC :$cDuke University Press,$d2009. 215 $a1 online resource (370 p.) 330 $aThe French philosopher Jacques Rancie?re has influenced disciplines from history and philosophy to political theory, literature, art history, and film studies. His research into nineteenth-century workers' archives, reflections on political equality, critique of the traditional division between intellectual and manual labor, and analysis of the place of literature, film, and art in modern society have all constituted major contributions to contemporary thought. In this collection, leading scholars in the fields of philosophy, literary theory, and cultural criticism engage Rancie?re's work, illuminating its originality, breadth, and rigor, as well as its place in current debates. They also explore the relationships between Rancie?re and the various authors and artists he has analyzed, ranging from Plato and Aristotle to Flaubert, Rossellini, Auerbach, Bourdieu, and Deleuze. The contributors to this collection do not simply elucidate Rancie?re's project; they also critically respond to it from their own perspectives. They consider the theorist's engagement with the writing of history, with institutional and narrative constructions of time, and with the ways that individuals and communities can disturb or reconfigure what he has called the "distribution of the sensible." They examine his unique conception of politics as the disruption of the established distribution of bodies and roles in the social order, and they elucidate his novel account of the relationship between aesthetics and politics by exploring his astute analyses of literature and the visual arts. In the collection's final essay, Rancie?re addresses some of the questions raised by the other contributors and returns to his early work to provide a retrospective account of the fundamental stakes of his project. Contributors. Alain Badiou, E?tienne Balibar, Bruno Bosteels, Yves Citton, Tom Conley, Solange Gue?noun, Peter Hallward, Todd May, Eric Me?choulan, Giuseppina Mecchia, Jean-Luc Nancy, Andrew Parker, Jacques Rancie?re, Gabriel Rockhill, Kristin Ross, James Swenson, Rajeshwari Vallury, Philip Watts 606 $aPhilosophy / Political$2bisacsh 606 $aPhilosophy 615 7$aPhilosophy / Political 615 0$aPhilosophy 702 $aWatts$b Phillip 702 $aRoss$b Kristin 702 $aBadiou$b Alain 702 $aRockhill$b Gabriel 801 0$bScCtBLL 801 1$bScCtBLL 906 $aBOOK 912 $a9910765755103321 996 $aJacques Rancie?re$92912580 997 $aUNINA