LEADER 02313nam 22003853a 450 001 9910765752603321 005 20250203232556.0 010 $a9781920355012 010 $a1920355014 035 $a(CKB)5490000000052535 035 $a(ScCtBLL)f98a0919-9ba1-4f3e-8e7e-9e6a7b28a464 035 $a(Perlego)2336619 035 $a(EXLCZ)995490000000052535 100 $a20250203i20122020 uu 101 0 $aeng 135 $auru|||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aAfrican Classical Ensemble Music: Book 2$fO'dyke Nzewi, Meki Nzewi 210 1$a[s.l.] :$cAfrican Minds,$d2012. 215 $a1 online resource (1 p.) 330 $aThe study of African music must be grounded in indigenous African knowledge systems, thus making it truly representative of indigenous Africa's intellectual history. The African Classical Ensemble Music: Theory and Drum-based Concert Series is intended to empower literacy-driven ensemble creativity which, in turn, advances the philosophical, theoretical, medical and humanizing imperatives of African indigenous musical arts lore. The three books that comprise the series discuss aspects of the compositional theory and creative philosophy that characterize African indigenous musical arts, and can be introduced at any level of education. They are intended to facilitate purposeful work/shopping activities, and also provide for modern concert performances that are faithful advancements of African indigenous knowledge systems. The books contain written compositions that cater for theoretical studies and concert performances. The introductory information input is the same in the first part of the three books. This is because a common philosophy and common theoretical principles underpin the creative frameworks, compositional grammar and functional concept of the musical arts irrespective of the level of expertise. 606 $aMusic / History & Criticism$2bisacsh 606 $aMusic 615 7$aMusic / History & Criticism 615 0$aMusic. 700 $aNzewi$b O'dyke$01786563 702 $aNzewi$b Meki 801 0$bScCtBLL 801 1$bScCtBLL 906 $aBOOK 912 $a9910765752603321 996 $aAfrican Classical Ensemble Music: Book 2$94323118 997 $aUNINA