LEADER 00771nam0-22002771i-450- 001 990003920780403321 010 $a3-7908-0387-1 035 $a000392078 035 $aFED01000392078 035 $a(Aleph)000392078FED01 035 $a000392078 100 $a20020725d1988----km-y0itay50------ba 101 0 $aeng 102 $aGB 200 1 $aMeasurement in economics$etheory and applications of economic indices$fWolfgang Eichhorn 205 $a1988 210 $aHeidelberg$cPhysica-Verlag$d1988 215 $a830 p$d23 cm 700 1$aEichhorn,$bWolfgang$057341 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990003920780403321 952 $aA02.262$b985$fDECTS 959 $aDECTS 996 $aMeasurement in economics$9512223 997 $aUNINA LEADER 02402 am 22004333u 450 001 9910765751003321 005 20170906 010 $a91-7635-044-4 024 7 $a10.16993/bal 035 $a(CKB)3800000000216769 035 $a(OAPEN)635201 035 $a(NjHacI)993800000000216769 035 $a(EXLCZ)993800000000216769 100 $a20170906d|||| uy 101 0 $aswe 135 $auuuuu---auuuu 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aPerformativitet 210 $aStockholm$cStockholm University Press$d2017 215 $a1 online resource (138) 311 $a91-7635-047-9 330 $a"What does performativity signify? And what does it mean to speak of something as being performative? Aiming to clarify and critically highlight an important but sometimes elusive concept, this book consists of five chapters, each addressing a concrete situation of interpretation. By highlighting artworks and images from different historical periods and contexts, the authors show how performativity might be a versatile and useful concept for interpretations of images. The purpose is to convey the critical potential of the concept as it is activated in relation to different objects of study. The book is primarily addressed to students of art history and others who take an interest in questions of visuality and visual practices. Offering not only a theoretical understanding of the concept, it strives to point out ways and possibilities of the practical use of performativity. This book constitutes the first volume of Theoretical Applications in Art History, which forms part of the series Basic Readings in Culture and Aesthetics. Its editors, Malin Hedlin Hayden and Mårten Snickare, are professors of art history at the Department of Culture and Aesthetics, Stockholm University. *** 517 $aStockholm Studies in Culture and Aesthetics 517 $aPerformativitet 606 $aTheory of art$2bicssc 606 $aHistory of art / art & design styles$2bicssc 615 7$aTheory of art 615 7$aHistory of art / art & design styles 676 $a111.85 700 $aSnickare$b Marten$01225519 702 $aHayden$b Malin Hedlin 801 0$bNjHacI 801 1$bNjHacl 906 $aBOOK 912 $a9910765751003321 996 $aPerformativitet$93653485 997 $aUNINA LEADER 01103nam0 22003011i 450 001 UON00247003 005 20231205103615.737 010 $a01-560-0829-7 100 $a20031210d1999 |0itac50 ba 101 $aeng 102 $aUS 105 $a|||| ||||| 200 1 $aˆThe ‰pagoda$ea novel$fby Patricia Powell 210 $aSan Diego$aNew York ; London$cHarvest Book ; Harcourt Brace$d1999 215 $a245 p.$d20 cm. 620 $aUS$dNew York$3UONL000050 620 $aUS$dSan Diego (CA)$3UONL000342 620 $aGB$dLondon$3UONL003044 676 $a813$cNarrativa americana in inglese$v21 700 1$aPOWELL$bPatricia$3UONV127366$0682893 712 $aHarcourt, Brace and Co.$3UONV265044$4650 712 $aHarvest$3UONV262528$4650 801 $aIT$bSOL$c20240220$gRICA 899 $aSIBA - SISTEMA BIBLIOTECARIO DI ATENEO$2UONSI 912 $aUON00247003 950 $aSIBA - SISTEMA BIBLIOTECARIO DI ATENEO$dSI AME VI c 2.70 0518 $eSI DA 125 5 0518 $sBuono 996 $aPagoda$91235769 997 $aUNIOR