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100   $a20211214i20192019  uu 
101 0 $aeng
135   $auru||||||||||
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 00$aCinema of Confinement$fThomas Connelly
210  1$aChicago :$cNorthwestern University Press,$d2019.
215   $a1 online resource (1 p.)
311   $a0-8101-3922-7 
330   $a"In this book, Thomas J. Connelly draws on a number of key psychoanalytic concepts from the works of Jacques Lacan, Slavoj Z?iz?ek, Joan Copjec, Michel Chion, and Todd McGowan to identify and describe a genre of cinema characterized by spatial confinement. Examining classic films such as Alfred Hitchcock's Rope and Stanley Kubrick's The Shining, as well as current films such as Room, Green Room, and 10 Cloverfield Lane, Connelly shows that the source of enjoyment of confined spaces lies in the viewer's relationship to excess.   Cinema of Confinement offers rich insights into the appeal of constricted filmic spaces at a time when one can easily traverse spatial boundaries within the virtual reality of cyberspace."
606   $aPerforming Arts / Film / History & Criticism$2bisacsh
606   $aPerforming arts
615  7$aPerforming Arts / Film / History & Criticism
615  0$aPerforming arts.
700   $aConnelly$b Thomas$01452271
801  0$bScCtBLL
801  1$bScCtBLL
906   $aBOOK
912   $a9910765740103321
996   $aCinema of Confinement$93653673
997   $aUNINA