LEADER 02296 am 22003973u 450 001 9910765729103321 005 20230814230933.0 010 $a3-0343-3565-2 024 7 $a10.3726/b14367 035 $a(CKB)4100000007523277 035 $a(OAPEN)1003365 035 $a(EXLCZ)994100000007523277 100 $a20200115h20182018 fy 0 101 0 $aeng 135 $aurmu#---auuuu 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aAt the origins of classical opera $eCarlo Goldoni and the "dramma giocoso per musica" /$fPervinca Rista 210 1$aBern, Switzerland :$cPeter Lang,$d2018. 210 4$dİ2018 215 $a1 online resource (167 pages) $cdigital, PDF file(s) 225 1 $aVaria musicologica ;$v24 311 08$aPrint version: 9783034335515 320 $aIncludes bibliographical references. 330 $aVenetian playwright and pioneer of modern theatre Carlo Goldoni (1707-1793) led a ?double life? as a librettist, authoring nearly as many libretti as comedies- libretti which, born from the same mind and the same hand that brought forth his famous, and famously controversial, overhaul of the practices of comic theatre, could not
but push the limits of the standing tradition to open a new chapter in opera history. Goldoni became one of the first to give shape to the dramma giocoso per musica, an innovative, realistic, and enduring new genre with intimate connections to prose comedy that met with overwhelming international success, becoming the foundation for the works of future generations, including W. A. Mozart and his Italian librettist Lorenzo da Ponte. Perhaps because of his stature and influence as a comic playwright, Goldoni has rarely been considered as an innovator in the musical sphere. This study aims to shed new light on his primary role in the evolution of Classical opera, and on the legacy of his innovations in the European musical tradition. 410 0$aVaria musicologica ;$v24. 606 $aLibrettists$zItaly$zVenice 615 0$aLibrettists 676 $a782.10268092 700 $aRista$b Pervinca$01262121 801 2$bUkMaJRU 906 $aBOOK 912 $a9910765729103321 996 $aAt the origins of classical opera$92948594 997 $aUNINA