LEADER 02279 am 22003853u 450 001 9910765724303321 005 20230808212409.0 010 $a9783035108873$b(ebook) 010 $z9783034320375$b(paperback) 035 $a(CKB)3710000000499514 035 $a(WaSeSS)IndRDA00112640 035 $a(EXLCZ)993710000000499514 100 $a20190417d2016 uy 0 101 0 $ager 135 $aur||#|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aTony Conrad $eVideo - und daru?ber hinaus /$fTabea Lurk 210 1$aBern, Switzerland :$cPeter Lang,$d2016. 215 $a1 online resource (450 pages) $cdigital, PDF file(s) 311 08$aPrint version: 9783034320375 330 $aThe American artist Anthony (Tony) Conrad (* 1940) has been a fixture in the art world for over 50 years. Celebrated as a musician, filmmaker, video and performance artist, his breakthrough came in 1966 with the experimental film The Flicker. In addition to the film work (including yellow movies), the so-called String Performances (solo violin) are widely recognized. They are reminiscent of the Theater of Eternal Music (1962-1967) and have been edited by well-known authors. The present monograph therefore concentrates on the approx. 70 video works by the artist that were created after 1977 and have not yet been scientifically examined. After remembering the cornerstones of the artistic career (videographic view of the artist's life), the transition from materialistic experimental film to videographic image thinking in the context of appropriation art (video as the last request) follows. The reflection of the telematic culture of the 1980s questions the interplay between (video) art and society (video as television criticism). The last chapter (video in the tension field of music) returns to the beginning of Tony Conrad's artistic career. 606 $aVideo art$zUnited States$y20th century 606 $aVideo art$zUnited States$y21st century 615 0$aVideo art 615 0$aVideo art 676 $a780.92 700 $aLurk$b Tabea$01280010 801 0$bWaSeSS 801 1$bWaSeSS 801 2$bUkMaJRU 912 $a9910765724303321 996 $aTony Conrad$93016337 997 $aUNINA