LEADER 02103 am  22004333- 450 
001 9910765611503321
005 20230411144636.0
024 7 $a10.26530/oapen_574817
035   $a(CKB)3710000000470325
035   $a(OAPEN)574817
035   $a(oapen)https://directory.doabooks.org/handle/20.500.12854/31622
035   $a(EXLCZ)993710000000470325
100   $a20200129|||    xx  uy             g
101 0 $ager
135   $auuuuu---auuuu
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 10$aVisuelle Medien im christlichen Kult
210   $cBöhlau$d2002
215   $a1 online resource (330)
311   $a3-205-99324-1 
330   $aThe concepts of art history were developed in the nineteenth century. This can inhibit dialogue with neighbouring disciplines. The concept ?medium?, which belongs to the late twentieth century, can provide assistance and connect the argument of art history to the contemporary state of consciousness at least in the cultural sciences dealing with communication. At the centre of the book lie questions of the use and effect of objects. Dealing with a series of high-ranking art works, an observational method is practised that is both historically founded and compatible with modern discourses. The six case studies address the Naumburg Stifterfiguren, Pietro Lorenzetti?s frescos in Assisi, the Parament of Narbonne, the tomb of Archbishop Chichele in Canterbury, Raphael?s Sistine Madonna in Dresden, and the self-portraits of Anton Pilgram in St Stephen?s Church in Vienna.
606   $aHistory of art / art & design styles$2bicssc
610   $aArt history
610   $amedium
610   $aliturgy
610   $aKunstgeschichte
610   $aMedium
610   $aLiturgie
610   $aKult
610   $aMedienkunst
615  7$aHistory of art / art & design styles
676   $a704.9482/09/02
700   $aSchwarz$b Michael Viktor$4aut$0778487
906   $aBOOK
912   $a9910765611503321
996   $aVisuelle Medien im christlichen Kult$92923228
997   $aUNINA