LEADER 02314nam 22004453 450 001 9910764254203321 005 20241230084506.0 035 $a(CKB)5860000000452632 035 $a(MiAaPQ)EBC31860976 035 $a(Au-PeEL)EBL31860976 035 $a(OCoLC)1482824799 035 $a(NjHacI)995860000000452632 035 $a(EXLCZ)995860000000452632 100 $a20241230d2024 uy 0 101 0 $aita 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aRestauri e Musei $eIl Paesaggio Culturale Dei Lungarni Di Pisa Dal Secondo Dopoguerra a Oggi 205 $a1st ed. 210 1$aFlorence :$cFirenze University Press,$d2024. 210 4$dİ2023. 215 $a1 online resource (220 pages) 225 1 $aRicerche. Architettura, Pianificazione, Paesaggio, Design Series ;$vv.26 311 08$a9791221501919 311 08$a9791221501926 330 $aThe gaze of the Grand Tour travellers on the Lungarni of Pisa, in the background of the nineteenth-century process of transformation of the banks and buildings that surround it, helping to define its cultural vocation. The turning point coincided with the second post-war period and began with the conversion of the former convent of San Matteo into a national museum, designed by Piero Sanpaolesi. The project is part of the international debate on culture and museum practice, offering important topics for reflection on the relationship between restoration and musealization, museums, city and recovery of river banks. With the theory of museums in diachronic continuity and contiguity of path (Palazzo Reale, Palazzo Lanfranchi, Palazzo Blu, Navi di Pisa and science), the concept of 'system' takes shape, as a set of multiple museums, between them different, but united by the link with the territory that welcomes them, represented by the Arno that crosses the city and its history. 410 0$aRicerche. Architettura, Pianificazione, Paesaggio, Design Series 606 $aMuseums$zItaly 615 0$aMuseums 676 $a069.0945 700 $aGiusti$b Francesca$0140771 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910764254203321 996 $aRestauri e Musei$94305196 997 $aUNINA