LEADER 04446nam 22005295 450 001 9910760264203321 005 20240627170602.0 010 $a3-031-41808-5 024 7 $a10.1007/978-3-031-41808-2 035 $a(CKB)28519115500041 035 $a(MiAaPQ)EBC30793139 035 $a(Au-PeEL)EBL30793139 035 $a(DE-He213)978-3-031-41808-2 035 $a(EXLCZ)9928519115500041 100 $a20231017d2024 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aPeripheral Locations in European TV Crime Series /$fby Kim Toft Hansen, Valentina Re 205 $a1st ed. 2024. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2024. 215 $a1 online resource (272 pages) 225 1 $aPalgrave European Film and Media Studies,$x2634-6168 311 $a9783031418075 327 $a1.European Scenes of Crime: Peripheries at the Centre -- 2.The Double Marginality of Peripheral Locations -- 3.Nordic Noir and Arctic Peripherality in Northern Europe -- 4.Mediterranean Noir and Nordic Peripheries in Southern Europe -- 5.Country Noir and Rural Peripheries in Western Europe -- 6.Eastern Noir and the Borderscapes of Eastern Europe -- 7.Brit Noir and the Hinterlands of the British Isles -- 8.Conclusion: Negotiating European Peripheries in TV Crime Series. 330 $aThis book is a comprehensive study of peripheral locations in contemporary European TV crime series. Ambitiously, it covers the complete geography of Europe, and offers a nuanced image of a changing, dynamic, and unfinished continent. The chapters include analyses of the practical, creative approach to producing crime series in European peripheries and rural areas, evaluating a continent marked by an internal crisis between urban and rural Europe. The study includes readings of crime series such as Shetland, Bitter Daisies, Trom, Pagan Peak, and The Border, but presents such representative cases within broader tendencies on the European TV market, including challenges from streaming services, the influence of Nordic Noir, and changes within the cognitive geography of Europe. The authors position peripheral European crime series in a complex relationship between universal appeal and local recognisability and offer a comprehensive theoretical approach to theaesthetics of peripherality. Grounded in desktop production studies, the book presents an original scholarly approach to analysing European crime series from a continental point of view. Despite local differences, the spatio-generic orientations scrutinized in the book ? Nordic Noir, Mediterranean Noir, Country Noir, Eastern Noir, and Brit Noir ? show remarkable aesthetic similarities in series from territories otherwise normally unconnected in television production. Consequently, television crime series reveal a common tongue and voice for dialogue on a continent in a deepening crisis. Kim Toft Hansen is Associate Professor of Scandinavian Media Studies at Aalborg University, Denmark. He is the co-author of Locating Nordic Noir: From Beck to The Bridge (2017), the co-editor of European Television Crime Drama and Beyond (2018) and has written extensively on Nordic and European television crime series. Valentina Re is Full Professor of Film and Media Studies at Link Campus University, Italy. She is the editor of Streaming media. Distribuzione, circolazione, accesso (2017) and the PI of the research project The Atlas of Italian ?Giallo?: Media History and Popular Culture (1954-2020), funded by the Italian Ministry of University and Research (2022-25). . 410 0$aPalgrave European Film and Media Studies,$x2634-6168 606 $aMotion picture plays, European 606 $aMotion pictures$xProduction and direction 606 $aEuropean Film and TV 606 $aFilm and Television Production 615 0$aMotion picture plays, European. 615 0$aMotion pictures$xProduction and direction. 615 14$aEuropean Film and TV. 615 24$aFilm and Television Production. 676 $a791.456556 700 $aToft Hansen$b Kim$0887209 701 $aRe$b Valentina$0773457 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910760264203321 996 $aPeripheral Locations in European TV Crime Series$93600376 997 $aUNINA