LEADER 01515nam 2200385Ka 450 001 9910698500103321 005 20080606115618.0 035 $a(CKB)4330000001789152 035 $a(OCoLC)230933064 035 $a(EXLCZ)994330000001789152 100 $a20080606d2006 ua 0 101 0 $aeng 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aComparing single and multiple turbine representations in a wind farm simulation$b[electronic resource] /$fBrian Parsons 210 1$aGolden, Colo. :$cNational Renewable Energy Laboratory,$d2006. 215 $a8 unnumbered slides $cdigital, PDF file 225 1 $aNREL/PR ;$v500-39507 300 $aTitle from title screen (viewed June 5, 2008). 517 $aComparing Single and Multiple Turbine Representations in a Wind Farm Simulation 606 $aWind power plants$xComparative method$vCongresses 606 $aWind turbines$xComputer simulation$vCongresses 608 $aConference papers and proceedings.$2lcgft 615 0$aWind power plants$xComparative method 615 0$aWind turbines$xComputer simulation 700 $aParsons$b Brian$01396162 712 02$aNational Renewable Energy Laboratory (U.S.) 712 12$aEuropean Wind Energy Conference$f(2006 :$eAthens, Greece) 801 0$bGPO 801 1$bGPO 906 $aBOOK 912 $a9910698500103321 996 $aComparing single and multiple turbine representations in a wind farm simulation$93455801 997 $aUNINA LEADER 04718nam 22007455 450 001 9910760255403321 005 20251009082231.0 010 $a9783031429750 010 $a3031429753 024 7 $a10.1007/978-3-031-42975-0 035 $a(PPN)27359494X 035 $a(MiAaPQ)EBC30878252 035 $a(Au-PeEL)EBL30878252 035 $a(CKB)28806318500041 035 $a(OCoLC)1409704541 035 $a(DE-He213)978-3-031-42975-0 035 $a(EXLCZ)9928806318500041 100 $a20231109d2023 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aClassical Music and Opera During and After the COVID-19 Pandemic $eEmpirical Research on the Digital Transformation of Socio-cultural Institutions and Aesthetic Forms /$fedited by Steffen Lepa, Ruth Müller-Lindenberg, Hauke Egermann 205 $a1st ed. 2023. 210 1$aCham :$cSpringer Nature Switzerland :$cImprint: Springer,$d2023. 215 $a1 online resource (157 pages) 225 1 $aMusic Business Research,$x2522-0837 311 08$aPrint version: Lepa, Steffen Classical Music and Opera During and after the COVID-19 Pandemic Cham : Springer,c2023 9783031429743 327 $aChapter 1 Quo Vadis Classical Music? Remarks on the Post-Pandemic Condition -- Chapter 2 Opera (Training (Research)) During Lockdown -- Chapter 3 The pandemic as a peephole into the ongoing digital transformation of opera. Insights from an expert interview study with the management of Berlin?s three opera houses -- Chapter 4 The Role of Artistic Directors of Classical Music Festivals in COVID-19 Crisis Communication -- Chapter 5 Streaming Opera: Compromise Solution or Future-Oriented Reception Form? -- Chapter 6 Digital Concert Experience ? An online research project on live streaming during the pandemic -- Chapter 7 Did lockdowns stimulate digital cultural participation? Mapping the post-pandemic Berlin classical concert audience and its adoption of audiovisual concert streams -- Chapter 8 Combining two different worlds. A post-pandemic interview with the dramaturgs Dr. Merle Fahrholz and Dr. Ulrich Lenz. 330 $aThe global COVID-19 pandemic, the resulting lockdown imposed in many countries, as well as related safety measures taken by governments and authorities, have posed significant challenges to classical music culture. However, they may also have had a stimulating effect on music festivals and opera houses? streaming offerings. This book brings together experts from the fields of musicology and music management to share their current empirical research findings on the pandemic-evoked digital transformation of the classical music scene, addressing either the institutional or the reception perspective. Furthermore, it documents discussions with opera dramaturgs and artistic directors, as well as music managers and event producers in the classical field, to share their practical lockdown experiences and current strategies in dealing with the digital transformation of opera. In this way, the volume combines the perspective of academic researchers with that of practitioners in the field. This book is particularly useful for students and researchers in music and media management, as well as musicology. It is also intended to help practitioners from concert houses and opera management, such as dramaturges, artistic directors, marketing and communication directors. 410 0$aMusic Business Research,$x2522-0837 606 $aService industries 606 $aCommunication and traffic 606 $aDigital media 606 $aTechnological innovations 606 $aEconomics 606 $aCulture 606 $aEntertainment Industry 606 $aMedia Industries 606 $aDigital and New Media 606 $aInnovation and Technology Management 606 $aCultural Economics 615 0$aService industries. 615 0$aCommunication and traffic. 615 0$aDigital media. 615 0$aTechnological innovations. 615 0$aEconomics. 615 0$aCulture. 615 14$aEntertainment Industry. 615 24$aMedia Industries. 615 24$aDigital and New Media. 615 24$aInnovation and Technology Management. 615 24$aCultural Economics. 676 $a780.9052 700 $aLepa$b Steffen$01438650 701 $aMüller-Lindenberg$b Ruth$01438651 701 $aEgermann$b Hauke$01438652 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910760255403321 996 $aClassical Music and Opera During and after the COVID-19 Pandemic$93600300 997 $aUNINA