LEADER 02980nam 2200409z- 450 001 9910754895603321 005 20240409213217.0 010 $z9781951399368$b(Paperback) 010 $a9781951399238$b(PDF) 010 $a9781951399245$b(HTML) 010 $a9781951399252$b(ePub) 024 7 $a10.32376/3f8575cb.c2702120 035 $a(CKB)5600000000766767 035 $a(EXLCZ)995600000000766767 100 $a20240409h20232023 ||| 0 101 0 $aeng 135 $aur|n#---m|||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aKiller Fandom $eFan Studies and the Celebrity Serial Killer /$fJudith May Fathallah 210 1$aBethlehem, PA :$cmediastudies.press,$d2023. 210 4$aŠ2023 215 $a1 online resource (i-xii+244 pages)$c9 illustrations, 7 tables 225 1 $aMedia Manifold Series ;$vvol. 2.$x2832-6202$x2832-6199 300 $aAvailable through mediastudies.press. 311 $a1-951399-24-2 327 $aIntroduction --- 1. Fanlike Engagement before Fan Studies: Personators, Collectors, and Groupies --- 2. Textual Poaching to Discursive Formations: Serial Killers and Fannish Creation --- 3. Affect, Bonding, Boundaries: Is There Serial Killer Fan Community? --- 4. Killer Fandom and (Sub)Cultural Capital --- 5. Serial Killer Fandom as Digital Play --- References --- Acknowledgments 330 $aKiller Fandom is the first long-form treatment of serial killer fandom. Fan studies have mostly ignored this most moralized form of fandom, as a stigmatized Bad Other in implicit tension with the field?s successful campaign to recuperate the broader fan category. Yet serial killer fandom, as Judith May Fathallah shows in the book, can be usefully studied with many of the field?s leading analytic frameworks. After tracing the pre-digital history of fans, mediated celebrity, and killers, Fathallah examines contemporary fandom through the lens of textual poaching, affective community, subcultural capital, and play. With close readings of fan posts, comments, and mashups on Tumblr, TikTok, and YouTube, alongside documentaries, podcasts, and a thriving ?murderabilia? industry, Killer Fandom argues that this fan culture is, in many ways, hard to distinguish from more ?mainstream? fandoms. Fan creations around Aileen Wuornos, Jeffrey Dahmer, Ted Bundy, and Richard Ramirez, among others, demonstrate a complex and shifting stance toward their objects?marked by parodic humor and irony in many cases. Killer Fandom ultimately questions?given our crime-and violence-saturated media culture?whether it makes sense to set Dahmer and Wuornos ?fans? apart from the rest of us. 410 0$aMedia Manifold Series ;$vvol. 2.$x2832-6202$x2832-6199 700 $aFathallah$b Judith May$01733351 712 02$amediastudies.press, 801 0$bUkCbTOM 906 $aBOOK 912 $a9910754895603321 996 $aKiller Fandom$94149097 997 $aUNINA