LEADER 04187nam 22006855 450 001 9910754089303321 005 20240627170019.0 010 $a9783031335013 010 $a3031335015 024 7 $a10.1007/978-3-031-33501-3 035 $a(CKB)28550570200041 035 $a(MiAaPQ)EBC30825300 035 $a(Au-PeEL)EBL30825300 035 $a(OCoLC)1406410095 035 $a(DE-He213)978-3-031-33501-3 035 $a(EXLCZ)9928550570200041 100 $a20231024d2023 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aFilm Festivals and the Enrichment Economy $eCultural Value Chains in a Digital Media Age /$fby Ann Vogel, Alan Shipman 205 $a1st ed. 2023. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2023. 215 $a1 online resource (197 pages) 311 0 $a9783031335006 327 $aChapter 1. Introduction -- Chapter 2. Research Fundamentals of Global Value Chain Analysis -- Chapter 3. Introducing the Special Dynamics of the Culture Value Chain -- Chapter 4. Enrichment Economy -- Chapter 5. Source of Cultural Value-Added: Eventization -- Chapter 6. Rents and Redistribution in the Cultural Value Chain -- Chapter 7. Artistic Value, Ricardian Rent, and Power -- Chapter 8. Conclusion and Future Research Direction./. 330 $aResponding to a question of immense interdisciplinary interest, this book investigates the construction of value in the curation of film festivals and production of cultural events undertaken by nonprofit arts organizations around the world. Combining their expertise in economics and sociology, the authors outline a theoretically and methodologically cohesive approach that puts the valuation of cinema right into the middle of global value chain research. It challenges the ways in which the interdisciplinary pursuit of cultural economics has approached cultural value, presenting a thorough analytic inquiry into who produces the value and who seeks rent in the value chain. While offering a fresh approach to cinema and media economics, the book highlights the significant way of nonprofit actor incorporation into value chains and value networks. Ann Vogel is a sociologist who received her Ph.D. from the University of Washington, USA, and a science-managementdegree from the German University of Administrative Sciences Speyer, Germany. Her most recent work is Cinema and the Festivalization of Capitalism: The Experience-Makers (2023). In her current position she advances research in police and administrative sciences. Alan Shipman is a Senior Lecturer in Economics. He studied Economics at the University of Cambridge, UK, and the University of Oxford, UK, working at the National Institute of Economic and Social Research and as a financial analyst and business journalist before joining the Open University, UK. His most recent monograph is Wynne Godley: A Biography (Palgrave Macmillan, 2019). . 606 $aCommunication and traffic 606 $aMotion picture industry 606 $aTelevision broadcasting 606 $aMotion pictures$xProduction and direction 606 $aEconomics 606 $aCulture 606 $aMedia Industries 606 $aFilm and Television Industry 606 $aFilm and Television Production 606 $aCultural Economics 615 0$aCommunication and traffic. 615 0$aMotion picture industry. 615 0$aTelevision broadcasting. 615 0$aMotion pictures$xProduction and direction. 615 0$aEconomics. 615 0$aCulture. 615 14$aMedia Industries. 615 24$aFilm and Television Industry. 615 24$aFilm and Television Production. 615 24$aCultural Economics. 676 $a791.43074 676 $a791.43074 700 $aVogel$b Ann$c(Research promotion manager)$01434313 701 $aShipman$b Alan$f1966-$0125034 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910754089303321 996 $aFilm festivals and the enrichment economy$93587963 997 $aUNINA