LEADER 04139nam 22006855 450 001 9910753398503321 005 20260310202947.0 010 $a9783662671313 010 $a366267131X 024 7 $a10.1007/978-3-662-67131-3 035 $a(CKB)5600000000764618 035 $a(MiAaPQ)EBC30882896 035 $a(Au-PeEL)EBL30882896 035 $a(OCoLC)1409700064 035 $a(DE-He213)978-3-662-67131-3 035 $a(EXLCZ)995600000000764618 100 $a20231026d2024 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aNew Music and Institutional Critique /$fedited by Christian Grüny, Brandon Farnsworth 205 $a1st ed. 2024. 210 1$aBerlin, Heidelberg :$cSpringer Berlin Heidelberg :$cImprint: J.B. Metzler,$d2024. 215 $a1 online resource (207 pages) 225 1 $aÄsthetiken X.0 ? Zeitgenössische Konturen ästhetischen Denkens,$x2662-1401 311 08$a9783662671306 311 08$a3662671301 327 $a1. Introduction -- I Scholars -- 2. Institutions Against Art Music?Curation, Rehearsal, and Contemporary Art -- 3. Gender Issues as Criticism within (New) Music Institutions -- 4. Darmstadt and its Discontents -- 5. Epistemological Stagflation and the Crisis of Democracy in Contemporary Music Research -- 6. Black Music?s Institutional Critique -- II Artists -- 7. My Via Dolorosa from (Impotent) Institutional Critique to the Founding of my own Institution, the Norwegian Opera, with the Gradual Construction of the followers of ø Opera-Dorf on a Meadow in the Swedish Forest, thereby (Maybe) Saving the Autonomy of Art -- 8. Sheltering Each Other from the Storms to Come. Why we need to become allies rather than critics of liberal cultural institutions -- 9. Gender Relations in New Music is Institutional Critique -- 10. Ark -- 11. On the Kunsthalle for Music and (Music-)Institutional Critique -- III Interviews -- 12. ?We started expanding the ?us,? rather than including someone else? ? Peter Meanwell and Tine Rude interviewed by Brandon Farnsworth -- 13. ?Don?t expect the wrong things from institutions.? ? Berno Odo Polzer interviewed by Christian Grüny -- 14. ?Pockets of Obscure Skills? ? Samson Young interviewed by Brandon Farnsworth -- 15. ?Positioning myself between stools? ? Hannes Seidl interviewed by Christian Grüny -- 16. ?Framing Europe? ? meLê yamomo interviewed by Theresa Beyer. 330 $aWhile institutional critique remains a significant part of artistic practice and theoretical debate in the arts, its has long escaped scholarly attention in the field of music. This open access volume assembles for the first time an array of theoretical approaches and practical examples dealing with New Music?s institutions, their critique, and their transformations. For researchers, leaders, and practitioners alike, it offers an important overview of current developments as well as theoretical reflections about New Music and its institutions today. 410 0$aÄsthetiken X.0 ? Zeitgenössische Konturen ästhetischen Denkens,$x2662-1401 606 $aMusic$xHistory and criticism 606 $aPerforming arts 606 $aTheater 606 $aAesthetics 606 $aMusic$xPhilosophy and aesthetics 606 $aContemporary Music 606 $aTheatre and Performance Arts 606 $aAesthetics 606 $aPhilosophy of Music 615 0$aMusic$xHistory and criticism. 615 0$aPerforming arts. 615 0$aTheater. 615 0$aAesthetics. 615 0$aMusic$xPhilosophy and aesthetics. 615 14$aContemporary Music. 615 24$aTheatre and Performance Arts. 615 24$aAesthetics. 615 24$aPhilosophy of Music. 676 $a780.9 700 $aGrüny$b Christian$0782568 701 $aFarnsworth$b Brandon$01433680 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910753398503321 996 $aNew Music and Institutional Critique$93583421 997 $aUNINA