LEADER 05337nam 22005053 450 001 9910751395703321 005 20231211230202.0 010 $a9783031302961 035 $a(MiAaPQ)EBC30786190 035 $a(CKB)28495817200041 035 $a(Au-PeEL)EBL30786190 035 $a(EXLCZ)9928495817200041 100 $a20231016d2023 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aExperimental dance and the somatics of language $ethinking in micromovement /$fMegan V. Nicely 205 $a1st ed. 210 1$aCham :$cSpringer International Publishing AG,$d2023. 210 4$d©2023. 215 $a1 online resource (258 pages) 225 1 $aNew World Choreographies Series 311 1 $a9783031302954 327 $aIntro -- Acknowledgments -- Praise for Experimental Dance and the Somatics of Language -- Contents -- About the Author -- List of Figures -- Chapter 1: Introduction -- Chapters -- References -- Chapter 2: The Micropolitics of Micromovement -- The Interval -- Vibration -- Adaptation -- Transmission -- References -- Chapter 3: Interval: Trisha Brown and the Space Between Words -- Sensing Human Scale -- Thinking in Activity -- Between the Body and Language -- Beyond the Visual Apparatus -- A Different Body Attitude -- Notes -- References -- Chapter 4: Vibration: Kasai Akira and Voice Power -- Apocalypse of Words -- Voice Power Training -- Friction Across Time and Space -- Unsettling Butoh Histories -- Between Organic and Inorganic -- Notes -- References -- Chapter 5: Adaptation: Deborah Hay and "Call It That" -- Art and Life -- Practicing with Language -- Writing and Editing -- Lecture-Performance -- Asserting Variations -- Notes -- References -- Chapter 6: Language as Agent: Doing and Allowing -- Uncanny Kinesthesia -- Making Sense of Language -- Somatics of the Performative -- Words Matter -- The Movement Underneath -- References -- Chapter 7: Movement's Return: Sensations in Context -- Sensitivity -- Suspend -- Discompose -- Situate -- Sequencing Sensation -- Notes -- References -- Index. 330 $aImpeccably crafted. Nicely articulates the ways in which language manifests in sensation and movement. She asks important and nuanced questions about presence and awareness of ourselves and others in changing spaces and relationships, separated by Covid, ignited by social protest. An invaluable text to gain philosophical currency for sensate experience, offering exciting new formulations for dance studies. Tanya Calamoneri, Assistant Professor, The Ohio State University, author of Butoh America In Experimental Dance and the Somatics of Language, Nicely investigates the use of language in dance practice by considering the somatics of micromovement in three phases vibration, interval, and adaptation. Nicely's ingenious move, after Deleuze, is to give language a body on the dance floor. Language, reconfigured as a source of sensation, becomes a critical analytic tool for Nicely to think through dance works past and present, contributing to performance studies ongoing inquiry into how speech acts. Melinda Buckwalter, Managing Director, Five College Dance, author of Composing while Dancing This book is about dances relationship to language. It investigates how dance bodies work with the micromovements elicited by languages affective forces, and the micropolitics of the thought-sensations that arise when movement and words accompany one another within choreographic contexts. Situating itself where theory meets practicethe zone where ideas arise to be tested, the book draws on embodied research in practices within the lineages of American postmodern dance and Japanese butoh, set in dialog with affect-based philosophies and somatics. Understanding that language is felt, both when uttered and when unspoken, this book speaks to the choreographic thinking that takes place when language is considered a primary element in creating the sensorium. Megan V. Nicely is an artist/scholar whose research involves choreographic experimentation through the medium of the body. She has published in TDR, Choreographic Practices, Performance Research Journal, and others, and her company Megan Nicely/Dance has performed on both U.S. coasts, in the U.K., and in Europe. She is Associate Professor of Performing Arts and Social Justice/Dance at University of San Francisco. 410 0$aNew World Choreographies Series 606 $aDance$xPhilosophy$3https://id.loc.gov/authorities/subjects/sh85035668 606 $aNonverbal communication$3https://id.loc.gov/authorities/subjects/sh85092368 606 $aLanguage and languages in art$3https://id.loc.gov/authorities/subjects/sh2006007605 606 $aLanguage and languages$xPhilosophy$3https://id.loc.gov/authorities/subjects/sh85074574 615 0$aDance$xPhilosophy. 615 0$aNonverbal communication. 615 0$aLanguage and languages in art. 615 0$aLanguage and languages$xPhilosophy. 676 $a792.8 676 $a792.8 700 $aNicely$b Megan V$01432928 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 912 $a9910751395703321 996 $aExperimental Dance and the Somatics of Language$93577994 997 $aUNINA