LEADER 00913nam a2200241 i 4500 001 991002361809707536 005 20020508194915.0 008 010704s1977 it ||| | ita 035 $ab10997696-39ule_inst 035 $aPARLA161115$9ExL 040 $aDip.to Filosofia$bita 082 0 $a189 100 1 $aPilot, Giovanni$0258089 245 10$aComunità politica e comunità religiosa nel pensiero di Guglielmo di Ockham /$cGiovanni Pilot 260 $aBologna :$bPatròn,$c1977 300 $a258 p. ;$c22 cm. 650 4$aGuglielmo di Occam 907 $a.b10997696$b02-04-14$c28-06-02 912 $a991002361809707536 945 $aLE005IF XXII E 61$g1$iLE005IFA-12344$lle005$o-$pE0.00$q-$rl$s- $t0$u0$v0$w0$x0$y.i11113340$z28-06-02 996 $aComunita politica e comunita religiosa nel pensiero di Guglielmo di Ockham$9697057 997 $aUNISALENTO 998 $ale005$b01-01-01$cm$da $e-$fita$git $h0$i1 LEADER 05212nam 22006135 450 001 9910749044803321 005 20230803200432.0 010 $a3-11-034562-5 010 $a3-11-038451-5 024 7 $a10.1515/9783110345629 035 $a(CKB)3360000000515161 035 $a(EBL)1663112 035 $a(SSID)ssj0001470670 035 $a(PQKBManifestationID)11870060 035 $a(PQKBTitleCode)TC0001470670 035 $a(PQKBWorkID)11413046 035 $a(PQKB)10167368 035 $a(MiAaPQ)EBC1663112 035 $a(DE-B1597)246336 035 $a(OCoLC)1013954749 035 $a(OCoLC)922639313 035 $a(DE-B1597)9783110345629 035 $a(EXLCZ)993360000000515161 100 $a20190920d2014 fg 101 0 $ager 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aJahrbuch der Deutschen Schillergesellschaft $eInternationales Organ für Neuere deutsche Literatur. $hBand 58, $i2014 /$fWilfried Barner, Christine Lubkoll, Ernst Osterkamp, Ulrich Raulff 210 1$aBerlin ;$aBoston : $cDe Gruyter, $d[2014] 210 4$d©2015 215 $a1 online resource (724 p.) 225 0 $aJahrbuch der Deutschen Schillergesellschaft ;$vBand 58 300 $aDescription based upon print version of record. 311 $a3-11-034555-2 327 $tFrontmatter -- $tInhalt -- $tTexte und Dokumente -- $t»... so grundfalsch war alles Weitere« / $rHemecker, Wilhelm / Österle, David -- $t»Paraguay und Schleswig« / $rBambey, Hans R. / Horwath, Peter -- $tSchreib- und Schießübungen / $rGfrereis, Heike -- $tAufsätze -- $tDas Maß der Potsdamer Garde / $rSpoerhase, Carlos -- $tNarrative der Natur / $rKlesse, Marc -- $tDie »Bestimmung des Menschen« in Wielands Geschichte des Agathon / $rWels, Volkhard -- $tDie Macht der Bühne / $rLiewerscheidt, Dieter -- $tWieviel steht in Peter Schlemihls Macht? / $rBernauer, Hermann -- $tBorchardt - Heymel - Winsloe / $rSprengel, Peter -- $tAnklänge und Ansichten, ?high? gegen ?low? / $rWolf, Norbert Christian -- $t»Trance!« / $rCostagli, Simone -- $t»Hört ihr den Regen?« / $rDehrmann, Mark-Georg -- $tDer verborgene Goethe / $rNebrig, Alexander -- $tZur Entstehung von Peter Handkes Erzählung Langsame Heimkehr (1979) / $rBarner, Ines -- $t»(es gibt / keine leere)« / $rSpecht, Benjamin -- $tDiskussionen -- $t»Was heißt und wozu dient heute literarische Bildung?« / $rDie Herausgeber -- $t»Was heißt und wozu dient heute literarische Bildung?« / $rAbraham, Ulf -- $tDie Chancen der Schule / $rHoheisel, Wiebke -- $tLiterarische Bildung / $rLiebau, Eckart -- $tMein Traum / $rMangold, Ijoma -- $tDer vitale Kern literarischer Bildung / $rvon Petersdorff, Dirk -- $tLiterarische Bildung als Kern des Deutschunterrichts auf der Oberstufe / $rKämper-van den Boogaart, Michael -- $tFan Fiction als literarische Bildung / $rZemanek, Evi -- $tBerichte -- $tSammelbehälter der Moderne / $rBarnert, Arno -- $tAnmut und Politik / $rHambsch, Jasmin -- $tZwölf Teile und doch nur ein Anfang / $rBürger, Jan -- $tMarbacher Schiller-Bibliographie 2013 / $rRiedel, Nicolai -- $tMarbacher Vorträge -- $tKann Literatur ausgestellt werden? / $rGumbrecht, Hans Ulrich -- $tGrußwort / $rGourdault-Montagne, Maurice -- $tGrußwort / $rPickard, Nick -- $tDer Lärm der Schlacht und die Stille des Archivs / $rLethen, Helmut -- $tSchiller-Rede / $rKrüger, Michael -- $tNachruf auf Walter Scheffler / $rOtt, Ulrich -- $tDeutsche Schillergesellschaft -- $tJahresbericht der Deutschen Schillergesellschaft / $rRaulff, Ulrich -- $tAnschriften der Jahrbuch-Mitarbeiter -- $tZum Frontispiz -- $tInternet -- $tImpressum 330 $aDas Jahrbuch der Deutschen Schillergesellschaft ist ein literaturwissenschaftliches Periodikum, das vorwiegend Beiträge zur deutschsprachigen Literatur von der Aufklärung bis zur Gegenwart veröffentlicht. Diese Zeitspanne entspricht den Sammelgebieten des Deutschen Literaturarchivs Marbach, das von der Deutschen Schillergesellschaft getragen wird. Arbeiten zu Schiller sind besonders willkommen, bilden aber naturgemäß nur einen Teil des Spektrums. Weitere Gebiete, denen ein verstärktes Interesse gilt, sind die Geschichte der Germanistik (der sich auch eine Marbacher Arbeitsstelle widmet) und die deutschsprachige Literatur seit 1945. Darüber hinaus ist es ein Ziel des Schiller-Jahrbuchs, wichtige unveröffentlichte "Texte und Dokumente" zu publizieren. Außerdem werden regelmäßig Diskussionen über aktuelle Probleme der Literaturwissenschaft und des literarischen Lebens geführt sowie eine jährliche internationale Bibliographie zu Schiller geboten. 606 $aGerman literature$xHistory and criticism 610 $aFriedrich Schiller. 610 $aLiterary studies. 610 $aYearbook. 615 0$aGerman literature$xHistory and criticism. 676 $a830.9 702 $aBarner$b Wilfried, 702 $aLubkoll$b Christine, 702 $aOsterkamp$b Ernst, 702 $aRaulff$b Ulrich, 801 0$bDE-B1597 801 1$bDE-B1597 906 $aBOOK 912 $a9910749044803321 996 $aJAHRBUCH der deutschen Schillergesellschaft$9536506 997 $aUNINA LEADER 07153nam 2200637 450 001 9910806263403321 005 20201023111955.0 010 $a1-4742-8386-1 010 $a1-4742-8384-5 010 $a1-4742-8385-3 024 7 $a10.5040/9781474283861 035 $a(CKB)4340000000212084 035 $a(MiAaPQ)EBC4913729 035 $a(MiAaPQ)EBC6164815 035 $a(OCoLC)1201426217 035 $a(CaBNVSL)mat74283861 035 $a(CaBNVSL)9781474283861 035 $a(EXLCZ)994340000000212084 100 $a20201023d2020 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 00$aApplied practice $eevidence and impact in theatre, music and art /$fedited by Matthew Reason and Nick Rowe 205 $aFirst edition 2017. 210 1$aLondon, England :$cBloomsbury Publishing,$d2020. 210 2$aLondon, England :$cBloomsbury Publishing,$d2020 215 $a1 online resource (325 pages) $cillustrations 225 1 $aApplied theatre 300 $aBased on a conference held at York St John University, UK, in 2014. 311 $a1-350-10193-1 311 $a1-4742-8383-7 320 $aIncludes bibliographical references. 327 $aAcknowledgements -- Introduction: Evidence, A Rope Comprising of Several Cords -- Matthew Reason and Nick Rowe -- PART 1 ? FRAMING REFLECTION ON EVIDENCE AND IMPACT IN PARTICIPATORY ARTS - Matthew Reason and Nick Rowe -- Chapter 1: Purpose, Outcomes and Obliquity: To Plan or Not to Plan - Matthew Reason and Nick Rowe -- Chapter 2: Evidence, Knowledge and Persuasion in Arts Impact Research ? Matthew Reason -- Chapter 3: Intrinsic and Instrumental Impacts in Participatory Art ? Matthew Reason -- Chapter 4: Participatory Research in the Participatory Arts - Matthew Reason and Nick Rowe -- PART 2 ? RESEARCHING PARTICIPATORY ARTS: ANALYTICAL PERSPECTIVES -- Introduction - Matthew Reason and Nick Rowe -- Chapter 5: On the Need for Diversity of Methods in Researching Arts and Health Practice - Stephen Clift, Sidney De Haan Research Centre for Arts and Health, UK -- Chapter 6: Do you see what I see? Art, Science and Evidence in Autism Research - Nicola Shaughnessy, University of Kent, UK -- Chapter 7: Wrestling with Beauty: Putting the Aesthetic into Arts Evaluation - Katya Johanson and Hilary Glow, Deakin University, Australia -- Chapter 8: Capturing the Intangible: Exploring Creative Risk-taking through Collaborative and Creative Methods - Elanor Stannage, York St John University, UK -- Chapter 9: Besieged by Inappropriate Criteria: Arts Organisations Developing Grounded Evaluation Approaches - Anni Raw and Mary Robson, Durham University, UK -- Chapter 10: The Performance of Prison Theatre Practices: Questions of Evidence - Caoimhe McAvinchey, Queen Mary University of London, UK -- Chapter 11: Researching applied arts through ethnographic performance: Perspectives from African contexts - Kennedy C. Chinyowa, Tshwane University of Technology, South Africa -- Chapter 12: Thou Art, I am: Discovery and Recovery in the Art Making Process - Olivia Sagan, Bishop Grosseteste University, UK -- PART 3 ? RESEARCHING PARTICIPATORY ARTS: PRACTICE-ORIENTATED CASE STUDIES -- Introduction - Matthew Reason and Nick Rowe. 327 $aChapter 13: Dear Younger Me: Writing, Songwriting and Choral Singing While Incarcerated as a Means to Bridge Communities and Build Identities - Mary L. Cohen and Perry Miller, University of Iowa, USA -- Chapter 14: Exploring the Perceived Benefits of Shared Musical Experience -- - Chris Bates and Liz Mellor, Leeds College of Music and York St John University, UK -- Chapter 15: The Wisdom of Crowds: Applied Theatre, Social Media and Data Visualisation ? Paul Sutton, applied theatre company C&T, UK -- Chapter 16: A Community Based Theatre Arts Program for Adults with Disabilities: Evidence through Research, Observation and Individual Transformation - Natalie Russo, Melissa Luke, Luis Columna and Elizabethe Ingram, Syracuse University, USA -- Chapter 17: Bespoke Practices: A Practitioner's Perspective on Documenting And Evaluating the Experiences of Artists with Disabilities - Jennifer Gilbert, UK -- Chapter 18: 'There's no pill for that': A Practitioner's Perspective on the Evidence Imperative in the Arts and Mental Health - Linda Boyles, Arts and Mind, UK -- Chapter 19: Embracing Indeterminacy in Participatory Storytelling in a Mental Health Context ? Catherine Heinemeyer, International Centre for Arts and Narrative (ICAN), UK -- Chapter 20: Art Know No Boundaries: Cross Cultural Bridge Building through Transnational Arts Project - Matthew Hahn with Lungile Dlamini & Marius Botha, UK and South Africa -- Chapter 21: Foot in Mouth, Mouth in Trough: Doing Good, Evaluation and other Megalomania - Scott Rankin, Big hART, Australia -- Afterword: Confidence in Art as EvidenceEndnotes ? Ross W. Prior, University of Wolverhampton, UK -- Bibliography -- Notes on Contributors -- Index. 330 $a"Applied Practice: Evidence and Impact in Theatre, Music and Art engages with a diversity of contexts, locations and arts forms ? including theatre, music and fine art ? and brings together theoretical, political and practice-based perspectives on the question of 'evidence' in relation to participatory arts practice in social contexts. This collection is a unique contribution to the field, focusing on one of the vital concerns for a growing and developing set of arts and research practices. It asks us to consider evidence not only in terms of methodology but also in the light of the ideological, political and pragmatic implications of that methodology. In Part One, Matthew Reason and Nick Rowe reflect on evidence and impact in the participatory arts in relation to recurring conceptual and methodological motifs. These include issues of purpose and obliquity; the relationship between evidence and knowledge; intrinsic and instrumental impacts, and the value of participatory research. Part Two explores the diversity of perspectives, contexts and methodologies in examining what it is possible to know, say and evidence about the often complex and intimate impact of participatory arts. Part Three brings together case studies in which practitioners and practice-based researchers consider the frustrations, opportunities and successes they face in addressing the challenge to produce evidence for the impact of their practice."--$cProvided by publisher. 410 0$aApplied theatre (Series) 606 $aQualitative research$vCongresses 606 $aArts and society$vCongresses 606 $aPerforming arts$xSocial aspects$vCongresses 606 $aTheatre studies$2bicssc 615 0$aQualitative research 615 0$aArts and society 615 0$aPerforming arts$xSocial aspects 615 7$aTheatre studies 676 $a700 702 $aRowe$b Nick$f1954- 702 $aReason$b Matthew$f1975- 801 0$bBLOOM 801 1$bCaBNVSL 801 2$bCaBNVSL 906 $aBOOK 912 $a9910806263403321 996 $aApplied practice$94043303 997 $aUNINA