LEADER 02933nam 2200505 450 001 9910746989303321 005 20231124164816.0 010 $a3-7489-2560-3 035 $a(CKB)5670000000771358 035 $a(NjHacI)995670000000771358 035 $a(EXLCZ)995670000000771358 100 $a20231124d2023 uy 0 101 0 $ager 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aHaus - Geschlecht - Sicherheit $eDiskursive Formierungen in der Fru?hen Neuzeit /$fSigrid Ruby, Inken Schmidt-Voges (Hrsg.) 210 1$aBaden-Baden :$cNomos,$d2023. 215 $a1 online resource (367 pages) 225 1 $aPolitiken der Sicherheit = Politics of Security ;$vBand 12 311 $a3-8487-7106-3 320 $aIncludes bibliographical references. 330 $aSicherheit wurde in der Fru?hen Neuzeit sehr viel umfassender verstanden als heute. In der historischen Epoche war Sicherheit ganz eng mit gesellschaftlicher Ordnung und Stabilita?t verknu?pft. Die heteronormative Geschlechterordnung spielte dabei eine zentrale Rolle und wurde wesentlich u?ber die Hierarchie und Arbeitsteilung im Haus legitimiert. Die 13 Beitra?ge aus Geschichte, Kunstgeschichte, Literaturwissenschaft, Philosophie und Theologie untersuchen die Entstehung und Ausformung dieser Zusammenha?nge. Das gemeinsame Interesse gilt Texten, Bildern und Praktiken, die im Zeitalter der Renaissance eine Wissensordnung und visuelle Kultur von Sicherheit auspra?gten, die bis heute nachwirkt und auch im aktuellen "gender security gap" greifbar wird. 330 $aIn the early modern period, security was perceived much more broadly than it is today. Security was closely linked to social order and stability. The heteronormative gender order played a central role in this and was es-sentially legitimized by the hierarchy and division of labor in the house. The 13 chapters from the fields of history, art history, literary studies, philosophy and theology examine the emergence and formation of this historical constellation. The common interest is focused on texts, images, and practices that, in the age of the Renaissance, shaped a knowledge and visual culture of security which continues to have an impact and is also tangible in the current "gender security gap". 410 0$aPolitiken der Sicherheit ;$vBand 12. 606 $aHome 606 $aGender 606 $aSocial security 606 $aArt$xHistory 606 $aSocial stability 615 0$aHome. 615 0$aGender. 615 0$aSocial security. 615 0$aArt$xHistory. 615 0$aSocial stability. 676 $a392.36 702 $aRuby$b Sigrid 702 $aSchmidt-Voges$b Inken 801 0$bNjHacI 801 1$bNjHacl 906 $aBOOK 912 $a9910746989303321 996 $aHaus ? Geschlecht ? Sicherheit$93571376 997 $aUNINA LEADER 02541nam 2200385z- 450 001 9910887916403321 005 20230221125334.0 035 $a(CKB)5860000000047086 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/83825 035 $a(EXLCZ)995860000000047086 100 $a20202206d2012 |y 0 101 0 $aita 135 $aurmn|---annan 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aLa "stereotomia scientifica" in Amédée François Frézier$eProdromi della geometria descrittiva nella scienza del taglio delle pietre 210 $aFirenze$cFirenze University Press$d2012 215 $a1 electronic resource (202 p.) 225 1 $aPremio Ricerca «Città di Firenze» 311 $a88-927-3573-X 330 $aCut-stone constructions are made of pre-hewn blocks dry assembled on top of each other. Owing to the formal complexity characteristic of these works, in order to design them it is necessary to have knowledge of the theory of lines, surfaces and their properties, as well as knowledge of the representation methods capable of rendering them on a plane surface. This knowledge set makes stereotomy the science that anticipates, in terms of theory and tools, modern descriptive geometry. These are the reasons for seeking the beginnings of descriptive geometry in stereotomy, that is, the reasons for the transformation of the mason's art of cutting stone into a bona fide science. Frézier's work fits among the last theoretical essays prior to the géométrie descriptive of Gaspard Monge. It is a treaty on solid geometry, devoted to the shape of the bodies, their intersections and the graphical methods necessary to represent them on a plane. In it the author draws up a rigorous theory that puts in place over two centuries of knowledge and experimentation on the subject of cutting stones. 517 $a"stereotomia scientifica" in Amédée François Frézier 517 $a"stereotomia scientifica" in AmÃdÃe François FrÃzier 606 $aArchitectural structure & design$2bicssc 606 $aTechnical design$2bicssc 606 $aEngineering graphics & technical drawing$2bicssc 615 7$aArchitectural structure & design 615 7$aTechnical design 615 7$aEngineering graphics & technical drawing 700 $aSalvatore$b Marta$4auth$0620405 906 $aBOOK 912 $a9910887916403321 996 $aLa stereotomia scientifica in Amédée François Frézier$91955650 997 $aUNINA