LEADER 05160nam 22006255 450 001 9910746952003321 005 20251009082224.0 010 $a9783031399244 010 $a3031399242 024 7 $a10.1007/978-3-031-39924-4 035 $a(MiAaPQ)EBC30771301 035 $a(Au-PeEL)EBL30771301 035 $a(CKB)28461824000041 035 $a(DE-He213)978-3-031-39924-4 035 $a(EXLCZ)9928461824000041 100 $a20231004d2023 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aAlterity and Capitalism in Speculative Fiction $eEstranging Contemporary History /$fby Tomás Vergara 205 $a1st ed. 2023. 210 1$aCham :$cSpringer Nature Switzerland :$cImprint: Palgrave Macmillan,$d2023. 215 $a1 online resource (210 pages) 311 08$aPrint version: Vergara, Tomás Alterity and Capitalism in Speculative Fiction Cham : Springer International Publishing AG,c2023 9783031399237 327 $aChapter 1: Introduction: Anamorphic Estrangement -- Chapter 2: Marxism as Narrative World-Building Method: New Weird Fiction and Capitalist Crisis in China Miéville?s Bas-Lag Trilogy -- Chapter 3: The Afterlives of Slavery: Spectres of the Antebellum in Colson Whitehead?s The Underground Railroad and Rivers Solomon?s Sorrowland -- Chapter 4: Challenging Cultural Studies Through Dystopia: Catatonic Cultural Dominant in Noon?s Falling Out of Cars and McCormack?s Notes from a Coma -- Chapter 5: Extrapolation and Social Reproduction: Anne Charnock?s Dreams Before the Start of Time and Bina Shah?s Before She Sleep -- Chapter 6: Conclusion: New Horizons for a Marxist Theory of Speculative Fiction. 330 $a"As the storm called progress piles wreckage at our feet, speculative fiction is now key to articulating catastrophe. Through paranoid ontologies, anamorphic estrangements, counterfactual energies, crisis historicity, forestalled extrapolations and catatonic thrum, writers like China Miéville and Rivers Solomon, Bina Shah and Colson Whitehead estrange the death throes of a terminal capitalism that refuses to die until it has asset-stripped the world of all possibilities. This is heady stuff and Vergara a critic to be heeded". ?Mark Bould, Professor of Film and Literature, UWE Bristol Speculative fiction has been traditionally studied in Marxist literary criticism, following Darko Suvin?s paradigmatic model of science fiction, according to a hierarchical division of its multiple subgenres in terms of their assumed inherent political value. By drawing on an alternative genealogy of Marxist criticism, this book presents a non-hierarchical understanding of the estrangement connecting all varieties of speculative fiction, outlining the political potential shared across the spectrum of speculative fiction, along with the specific narrative strategies by which it critically engages with its historical context of production. This study?s main point of contention is that speculative fiction performs an estrangement effect on historical reality that can potentially render visible the role of fantasies in the organisation of capitalist social practice. This narrative effect enables an estranged perspective by which the novel interprets and conceptualises historical reality in a totalising manner. Tomás Vergara completed his Ph.D. in English Literature at the University of Edinburgh, UK. He is a lecturer in English at Pontificia Universidad Católica de Valparaíso, Chile. His research interests are focused on speculative fiction, Marxist literary criticism and the environmental humanities. This interest rangesfrom early forms of science fiction and the Gothic in Victorian literature to the dystopian imaginaries of cyberpunk in Bruce Sterling and William Gibson, and the radical alterity of China Miéville?s New Weird fiction attempting to weaponize the fantastic to revitalise the imaginary of revolution. The particular focus on speculative fiction is a consequence of this broader interest in the fantastic. Tomás has published an article on Jeff Noon?s Falling out of Cars in the C21 Literature journal. 606 $aLiterature$xPhilosophy 606 $aLiterature, Modern$y20th century 606 $aLiterature, Modern$y21st century 606 $aCulture$xStudy and teaching 606 $aLiterary form 606 $aLiterary Theory 606 $aContemporary Literature 606 $aCultural Studies 606 $aLiterary Genre 615 0$aLiterature$xPhilosophy. 615 0$aLiterature, Modern 615 0$aLiterature, Modern 615 0$aCulture$xStudy and teaching. 615 0$aLiterary form. 615 14$aLiterary Theory. 615 24$aContemporary Literature. 615 24$aCultural Studies. 615 24$aLiterary Genre. 676 $a809.3876 700 $aVergara$b Tomás$01431432 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910746952003321 996 $aAlterity and Capitalism in Speculative Fiction$93573749 997 $aUNINA