LEADER 04207nam 22006135 450 001 9910745598603321 005 20231110212152.0 010 $a1-4744-4766-X 024 7 $a10.1515/9781474447669 035 $a(CKB)4900000001020006 035 $a(DE-B1597)616004 035 $a(DE-B1597)9781474447669 035 $a(MiAaPQ)EBC6519225 035 $a(Au-PeEL)EBL6519225 035 $a(OCoLC)1238597868 035 $a(OCoLC)1312726017 035 $a(ScCtBLL)d3dbe1ea-06a1-49c1-a583-8535a3d16d3e 035 $a(EXLCZ)994900000001020006 100 $a20220424h20222021 fg 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 14$aThe Cinema of Mia Hansen-Løve $eCandour and Vulnerability /$fKate Ince 210 1$aEdinburgh : $cEdinburgh University Press, $d[2022] 210 4$d©2021 215 $a1 online resource (176 p.) $c14 colour illustrations 225 0 $aVisionaries: Thinking Through Female Filmmakers : VISI 311 $a1-4744-6247-2 327 $tFrontmatter -- $tContents -- $tFigures -- $tAcknowledgements -- $tIntroduction: Mia Hansen-Løve, transnational auteur -- $t1 Fracture familiale -- $t2 Vulnerable people -- $t3 Adversity and resilience: the post-secular ethic of vocation -- $t4 Candid camera, or an aesthetic of transcendence -- $t5 Lost in music -- $t6 The rivers of time -- $tConclusion: contemporaneity and the ethic of transcendence -- $tBibliography -- $tFilmography -- $tIndex 330 $aThe first study of the films of Mia Hansen-LøveSets out Hansen-Løve?s place in contemporary French and international cinema as an acclaimed young auteur with a distinctive vision of growing up, the importance of work, and family and romantic loveArgues that Hansen-Løve?s sensitivity to her protagonists? vulnerability and resilience makes her a filmer of the ethical, particularly in tune with ?the ethical turn? that has marked Western cultures and thought since the 1990sBrings out the philosophical character of Hansen-Løve?s approach to time, narrative and human subjectivitySince 2007 Mia Hansen-Løve has directed a series of meditative film dramas about families, love, vulnerability and growing up, all of them exceptionally attentive to film?s ability to convey the passing of time, separation and loss. As the first book-length study of the films of Mia Hansen-Løve, this volume introduces her cinema to both an academic and a general readership. Exploring her move from acting, via criticism, to directing, the book first investigates the complexity of her situation as a female auteur based in France. With detailed readings of her films up to Maya (2018), it then examines the precariousness of their families, their emphasis on vulnerability, failure, adversity and resilience, the particular candour of Hansen-Løve?s filming style, and the vital parts played by music and time in her cinema. It concludes that her cinema may best be regarded as a thoroughly contemporary one, distinguished by a tendency to transcendence that is both ethical and aesthetic. 410 0$aVisionaries: Thinking Through Female Filmmakers 606 $aComing-of-age films$xHistory and criticism 606 $aFamilies in motion pictures 606 $aLove in motion pictures 606 $aMotion picture producers and directors$zFrance 606 $aVulnerability (Personality trait) in motion pictures 606 $aPERFORMING ARTS / Film & Video / Direction & Production$2bisacsh 615 0$aComing-of-age films$xHistory and criticism. 615 0$aFamilies in motion pictures. 615 0$aLove in motion pictures. 615 0$aMotion picture producers and directors 615 0$aVulnerability (Personality trait) in motion pictures. 615 7$aPERFORMING ARTS / Film & Video / Direction & Production. 676 $a791.4302/33092 676 $a791.430233092 700 $aInce$b Kate, $4aut$4http://id.loc.gov/vocabulary/relators/aut$01075622 801 0$bDE-B1597 801 1$bDE-B1597 906 $aBOOK 912 $a9910745598603321 996 $aThe Cinema of Mia Hansen-Løve$92843169 997 $aUNINA