LEADER 03605nam 2200481z- 450 001 9910745582803321 005 20230223165937.0 010 $a1-4780-2459-3 035 $a(CKB)5580000000511568 035 $a(EXLCZ)995580000000511568 100 $a20230214c2023uuuu -u- - 101 0 $aeng 135 $aur||||||||||| 200 00$aCitizens of photography $ethe camera and the political imagination /$fedited by Christopher Pinney ; with the PhotoDemos Collective (Naluwembe Binaisa, Vindhya Buthpitiya, Konstantinos Kalantzis, Christopher Pinney, Ileana L. Selejan, and Sokphea Young) 210 $cDuke University Press 311 $a1-4780-2076-8 327 $aIntroduction. Photographing : or, the future of the image / Christopher Pinney -- "The truth is in the soil" : the political work of photography in northern Sri Lanka / Vindhya Buthpitiya -- Visual citizenship in Cambodia : from apocalypse to visual "political emancipation" / Sokphea Young -- Photography, citizenship, and accusatory memory in the Greek crisis / Konstantinos Kalantzis --Insurgent archive : the photographic making and un-making of the Nicaraguan revolutionary state / Ileana Selejan -- "We are moving with technology" : photographing voice and belonging in Nigeria / Nuluwembe Binaisa -- Citizenship, contingency, and futurity : photographic ethnographies from Nepal, India, and Bangladesh / Christopher Pinney. 330 $a"Citizens of Photography explores how photography offers access to forms of citizenship beyond those available through ordinary politics. Through contemporary ethnographic investigations of photographic practice in Nicaragua, Nigeria, Greece, India, Nepal, Sri Lanka, Bangladesh, and Cambodia, the PhotoDemos Collective traces the resonances between political representation and photographic representation. The authors emphasize photography as lived practice and how photography's performative, transformative, and transgressive possibilities facilitate the articulation of new identities. They analyze photography ranging from family albums to social media to state and public archives, showing how it points to unknown futures and destinations in the context of social movements, the aftermath of atrocity and civil war, and the legacies of past injustices. By foregrounding photography's future-oriented, open-ended, and contingent nature and its ability to subvert and reconfigure conventional political identifications, this volume demonstrates that as much as photography looks to the past, it points to the future, acting in advance of social reality"--$cProvided by publisher. 517 $aCitizens of Photography 606 $aPhotography$xPolitical aspects 606 $aPhotography$xSocial aspects 606 $aDocumentary photography 606 $aPhotography in ethnology 606 $aPHOTOGRAPHY / History$2bisacsh 606 $aSOCIAL SCIENCE / Anthropology / Cultural & Social$2bisacsh 615 0$aPhotography$xPolitical aspects. 615 0$aPhotography$xSocial aspects. 615 0$aDocumentary photography. 615 0$aPhotography in ethnology. 615 7$aPHOTOGRAPHY / History 615 7$aSOCIAL SCIENCE / Anthropology / Cultural & Social 676 $a770 686 $aPHO010000$aSOC002010$2bisacsh 702 $aPinney$b Christopher 702 $aBinaisa$b Naluwembe 702 $aButhpitiya$b Vindhya 702 $aKalantzis$b Konstantinos 702 $aSelejan$b Ileana 702 $aYoung$b Sokphea 906 $aBOOK 912 $a9910745582803321 996 $aCitizens of photography$93568783 997 $aUNINA