LEADER 02554nam 22006492 450 001 9910743210703321 005 20210429112904.0 010 $a1-78744-284-5 024 7 $a10.1515/9781787442849 035 $a(CKB)4100000005115262 035 $a(MiAaPQ)EBC5310131 035 $a(OCoLC)1043555744 035 $a(MdBmJHUP)muse83660 035 $a(UkCbUP)CR9781787442849 035 $a(DE-B1597)676101 035 $a(DE-B1597)9781787442849 035 $a(EXLCZ)994100000005115262 100 $a20210406d2018|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aComing to terms with our musical past $ean essay on Mozart and modernist aesthetics /$fEdmund J. Goehring$b[electronic resource] 210 1$aRochester, NY :$cUniversity of Rochester Press,$d2018. 215 $a1 online resource (xii, 209 pages) $cdigital, PDF file(s) 225 1 $aEastman studies in music ;$vv. 147 300 $aTitle from publisher's bibliographic system (viewed on 27 Apr 2021). 311 $a1-58046-930-2 320 $aIncludes bibliographical references and index. 327 $aIntroduction: setting the stage, and then exiting it -- On critique; or, two paths through the art-critical world -- On transcendence; or, Mozart among the neoplatonists, present and past -- On intention -- On being -- On chance and necessity -- On ambiguity -- On mimesis -- On pleasure -- On concepts and culture -- The flaws in the finale -- Conclusion: an other modernism?. 330 $aA bold, restorative vision of Mozart's works, and Western art music generally, as manifestations of an idealism rooted in the sociable nature of humans. 410 0$aEastman studies in music ;$vv. 147. 606 $aMusic$xPhilosophy and aesthetics 610 $aArtistic. 610 $aCultural. 610 $aHuman Presence. 610 $aHuman Sociability. 610 $aIdealism. 610 $aInterpretation. 610 $aLiterature. 610 $aModernist Aesthetics. 610 $aMozart. 610 $aMusical Past. 610 $aPerforming Arts. 610 $aPhilosophy. 610 $aVisual Arts. 610 $aWestern Art Music. 615 0$aMusic$xPhilosophy and aesthetics. 676 $a780.92 700 $aGoehring$b Edmund Joseph$01016468 801 0$bUkCbUP 801 1$bUkCbUP 906 $aBOOK 912 $a9910743210703321 996 $aComing to terms with our musical past$93559495 997 $aUNINA