LEADER 04570nam 22006975 450 001 9910741154603321 005 20230701071625.0 010 $a3-319-63163-2 024 7 $a10.1007/978-3-319-63163-9 035 $a(CKB)4100000001795315 035 $a(DE-He213)978-3-319-63163-9 035 $a(MiAaPQ)EBC5234699 035 $a(PPN)259472166 035 $a(EXLCZ)994100000001795315 100 $a20180122d2018 u| 0 101 0 $aeng 135 $aurnn|008mamaa 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aInternational Relations, Music and Diplomacy $eSounds and Voices on the International Stage /$fedited by Frédéric Ramel, Cécile Prévost-Thomas 205 $a1st ed. 2018. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2018. 215 $a1 online resource (XVII, 297 p. 2 illus., 1 illus. in color.) 225 1 $aThe Sciences Po Series in International Relations and Political Economy,$x2945-6088 311 $a3-319-63162-4 320 $aIncludes bibliographical references at the end of each chapters and index. 327 $a1. Introduction. Understanding Musical Diplomacies: Movements on the ?Scenes? -- 2. Europe in Rome / Rome in Europe: Diplomacy as a Network of Cultural Exchanges -- 3. Eighteenth-Century Diplomats as Musical Agents -- 4. Targeting New Music in Postwar Europe: American Cultural Diplomacy in the Crafting of Art Music Avant-Garde Scenes -- 5. The Diplomatic Viol -- 6. The Diplomat's Music Test: Branding New and Old Diplomacy at the Beginnings of the Nineteenth and Twenty-First Centuries -- 7. Schaeffer, Boulez and the Everyday Diplomacies of French Decolonization -- 8. Negotiating the Pitch: For a Diplomatic A, at the Crossroads of Politics, Music, Science and Industry -- 9. Music, Diplomacy and International Solidarity: The Campaign for Miguel Angel Estrella (1977-1980) -- 10. The Eurovision Song Contest in the Musical Diplomacy of Authoritarian States -- 11. Music That Divides: The Case of Russian Musical Diplomacy in the Baltic States -- 12. Of Dreams and Desire: Diplomacy and Musical Nation Branding Since the Early Modern Period. 330 $aThis volume explores the interrelation of international relations, music, and diplomacy from a multidisciplinary perspective. Throughout history, diplomats have gathered for musical events, and musicians have served as national representatives. Whatever political unit is under consideration (city-states, empires, nation-states), music has proven to be a component of diplomacy, its ceremonies, and its strategies. Following the recent acoustic turn in IR theory, the authors explore the notion of ?musical diplomacies? and ask whether and how it differs from other types of cultural diplomacy. Accordingly, sounds and voices are dealt with in acoustic terms but are not restricted to music per se, also taking into consideration the voices (speech) of musicians in the international arena. Frédéric Ramel is Full Professor and Head of the Political Science Department at Sciences Po, Centre de Recherches Internationales, France. Cécile Prévost-Thomas is Associate Professor in Sociology of Music at the University Sorbonne Nouvelle - Paris 3, Centre de Recherche sur les Liens Sociaux, France. 410 0$aThe Sciences Po Series in International Relations and Political Economy,$x2945-6088 606 $aInternational relations 606 $aDiplomacy 606 $aMusic 606 $aPeace 606 $aCultural policy 606 $aCivilization?History 606 $aInternational Relations Theory 606 $aDiplomacy 606 $aMusic 606 $aPeace and Conflict Studies 606 $aCultural Policy and Politics 606 $aCultural History 615 0$aInternational relations. 615 0$aDiplomacy. 615 0$aMusic. 615 0$aPeace. 615 0$aCultural policy. 615 0$aCivilization?History. 615 14$aInternational Relations Theory. 615 24$aDiplomacy. 615 24$aMusic. 615 24$aPeace and Conflict Studies. 615 24$aCultural Policy and Politics. 615 24$aCultural History. 676 $a303.4824701713 702 $aRamel$b Frédéric$4edt$4http://id.loc.gov/vocabulary/relators/edt 702 $aPrévost-Thomas$b Cécile$4edt$4http://id.loc.gov/vocabulary/relators/edt 906 $aBOOK 912 $a9910741154603321 996 $aInternational Relations, Music and Diplomacy$93554543 997 $aUNINA