LEADER 02748nam 2200505Ia 450 001 9910741096303321 005 20231211205334.0 010 $a0-520-38393-1 024 7 $a10.1525/9780520383937 035 $a(CKB)28199010800041 035 $a(DE-B1597)653733 035 $a(DE-B1597)9780520383937 035 $a(MiAaPQ)EBC31520011 035 $a(Au-PeEL)EBL31520011 035 $a(OCoLC)1371465440 035 $a(EXLCZ)9928199010800041 100 $a20231101h20232023 fg 101 0 $aeng 135 $aur||#|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aHow Hip Hop Became Hit Pop $eRadio, Rap, and Race /$fAmy Coddington 205 $aFirst edition. 210 1$aBerkeley, CA :$cUniversity of California Press,$d[2023] 210 4$dİ2023 215 $a1 online resource (226 pages) 311 $a9780520383920 330 $aA free ebook version of this title is available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more.How Hip Hop Became Hit Pop examines the programming practices at commercial radio stations in the 1980s and early 1990s to uncover how the radio industry facilitated hip hop's introduction into the musical mainstream. Constructed primarily by the Top 40 radio format, the musical mainstream featured mostly white artists for mostly white audiences. With the introduction of hip hop to these programs, the radio industry was fundamentally altered, as stations struggled to incorporate the genre's diverse audience. At the same time, as artists negotiated expanding audiences and industry pressure to make songs fit within the confines of radio formats, the sound of hip hop changed. Drawing from archival research, Amy Coddington shows how the racial organization of the radio industry influenced the way hip hop was sold to the American public, and how the genre's growing popularity transformed ideas about who constitutes the "mainstream." 606 $aMusic and race$zUnited States$xHistory$y20th century 606 $aPopular music$zUnited States$xHistory and criticism 606 $aRadio and music$zUnited States$xHistory$y20th century 606 $aRap (Music)$xHistory and criticism 615 0$aMusic and race$xHistory 615 0$aPopular music$xHistory and criticism. 615 0$aRadio and music$xHistory 615 0$aRap (Music)$xHistory and criticism. 676 $a782.421649 700 $aCoddington$b Amy$f1986-$4aut$4http://id.loc.gov/vocabulary/relators/aut$01448727 801 0$bDE-B1597 801 1$bDE-B1597 906 $aBOOK 912 $a9910741096303321 996 $aHow Hip Hop Became Hit Pop$93644521 997 $aUNINA