LEADER 05717nam 22007335 450 001 9910739473603321 005 20251009075207.0 010 $a9789811992131 010 $a9811992134 024 7 $a10.1007/978-981-19-9213-1 035 $a(MiAaPQ)EBC30684896 035 $a(Au-PeEL)EBL30684896 035 $a(DE-He213)978-981-19-9213-1 035 $a(CKB)27973043700041 035 $a(OCoLC)1395180569 035 $a(EXLCZ)9927973043700041 100 $a20230811d2023 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aPerformance Arts: Research in the Age of Digital Revolution /$fedited by Kwok-kan Tam 205 $a1st ed. 2023. 210 1$aSingapore :$cSpringer Nature Singapore :$cImprint: Springer,$d2023. 215 $a1 online resource (232 pages) 225 1 $aDigital Culture and Humanities, Challenges and Developments in a Globalized Asia,$x2520-8659 ;$v4 311 08$aPrint version: Tam, Kwok-kan Performance Arts: Research in the Age of Digital Revolution Singapore : Springer,c2023 9789811992124 327 $aIntroduction. Performance Arts: Research in the Age of Digital Revolution -- Part One. Virtual Reconstruction of Lost Theatres -- Chapter 1. Virtual Praxis and Theatre Research: Textual Recovery -- Chapter 2. Virtual Praxis: Conducting Performance Research in Virtual Theatres -- Chapter 3. Stardust Orientalism, Virtual Praxis and Digital Construction: ?Madame Butterfly? on Ice at the Stardust Hotel, Las Vegas, 1959 -- Part Two. Spatial-History Digital Database for Humanistic Research -- Chapter 4. Coded, Transcoded, Encoded, Mapped: Reading Film Adaptations of Ibsen?s Plays in the Digital Age -- Chapter 5. Digital Ibsen: Tracing Houses and Homes in an Ibsen Play -- Chapter 6. A Performance History of Ibsen in America: Outlines, Conjunctures and Regional Diffusion -- Part Three. Digital Culture in Performance Production -- Chapter 7. Digitization and New Modes of Ibsen Studies -- Chapter 8. Artifact as Digihistory: Re-viewing Islamist Militancy -- Chapter 9. Digital Operatic Precedents in Haruki Murakami?s Killing Commendatore -- Part Four. Arts Tech and Experimentations in Stage Performance? -- Chapter 10. The Carp Fairy in the Digitalised Traditional Chinese Theatre -- Chapter 11. Rethinking the Use of Multimedia Technology in the Theatre -- Chapter 12. Staying Alive: The Plague and Performance in a Digital Age. 330 $a This volume reshapes a contemporary understanding of research in theatre and performance arts. Bringing together distinguished scholars from all over the world, the book serves as an arena for international scholars to introduce innovative research methodologies and disseminate their research findings regarding VLT, data archiving, and digital history and discusses the impacts of digital culture in art production, stage performance, film, and literature. The Ibsen focus in the book is illustrative of the power of digital database research that is generating new relations in spatial-historical dimensions that have otherwise gone unnoticed. It demonstrates how a new methodology can bring practical benefits to handling big data with the support of digital technologies. In line with the post-pandemic landscape, this book engages a reflection on how the digital revolution has brought about changes and challenges, and constraints and breakthroughs within the field oftheatre and performance arts. It is of appeal to theatre artists and practitioners, scholars, critics, librarians, digital archive engineers, and postgraduate students interested in theatre, performance studies, digital media, information technology, library science, communication, education, sociology, as well as political science. ?The book investigates the latest methodological development in digital cultures and performance arts, which significantly contributes to the ever-changing and increasingly advanced technological culture in this field.? - Jessica Tsui-yan Li, York University, Canada "In line with the post-pandemic landscape, this book engages the reader in reflecting on how the digital revolution has brought about chances and challenges, constraints and breakthroughs to the field of theatre and performance arts. An original, eye-opening and inspiring volume at multiple levels, this book brings together distinguished scholars from all over the world." - Dr Anna Tso, The Hang Seng University of Hong Kong. 410 0$aDigital Culture and Humanities, Challenges and Developments in a Globalized Asia,$x2520-8659 ;$v4 606 $aDigital humanities 606 $aCulture$xStudy and teaching 606 $aPerforming arts 606 $aTheater 606 $aDigital media 606 $aDance 606 $aDigital Humanities 606 $aVisual Culture 606 $aPractice-as-Research 606 $aDigital and New Media 606 $aTheatre and Performance Arts 606 $aDance 615 0$aDigital humanities. 615 0$aCulture$xStudy and teaching. 615 0$aPerforming arts. 615 0$aTheater. 615 0$aDigital media. 615 0$aDance. 615 14$aDigital Humanities. 615 24$aVisual Culture. 615 24$aPractice-as-Research. 615 24$aDigital and New Media. 615 24$aTheatre and Performance Arts. 615 24$aDance. 676 $a792.072 700 $aTam$b Kwok-kan$0647782 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910739473603321 996 $aPerformance Arts: Research in the Age of Digital Revolution$93567199 997 $aUNINA