LEADER 04994nam 22006015 450 001 9910736991203321 005 20251008140646.0 010 $a9783031333057 010 $a3031333055 024 7 $a10.1007/978-3-031-33305-7 035 $a(MiAaPQ)EBC30679947 035 $a(Au-PeEL)EBL30679947 035 $a(DE-He213)978-3-031-33305-7 035 $a(CKB)27942477300041 035 $a(OCoLC)1393308071 035 $a(EXLCZ)9927942477300041 100 $a20230807d2023 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aGilles Deleuze and Film Criticism $ePhilosophy, Theory, and the Individual Film /$fedited by Dominic Lash, Hoi Lun Law 205 $a1st ed. 2023. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2023. 215 $a1 online resource (226 pages) 225 1 $aPalgrave Film Studies and Philosophy,$x2946-5443 311 08$aPrint version: Lash, Dominic Gilles Deleuze and Film Criticism Cham : Springer International Publishing AG,c2023 9783031333040 327 $a1. Introduction -- 2. Part 1: Perspectives on Method -- 2. What does Deleuze do when he does film criticism? -- 3. Deleuze and the film in his Mind -- Part 2: Criticism, Philosophy, Theory -- 4. Gilles Deleuze and the Company of Critics: On Kubrick, Time, and Cinema -- 5. ?Very Slight Differences?: Deleuze and the Aesthetics of Cinematic Motion -- 6. . ?Something Possible, Otherwise I Will Suffocate?: A Marginal Reading of Chapter 7, Section 2 of Deleuze's The Time-Image -- Part 3: Films and Filmmakers -- 7. Banish All the World: Deleuze on Chimes at Midnight -- 8. Donen and Minnelli: An Exchange of Energies -- 9. Deleuze and Fellini: And the Ship Sails On. 10. Hypnosis-images: indiscernibility and hypnotic agency in Gilles Deleuze's Heart of Glass. 330 $a"Gilles Deleuze and Film Criticism is a remarkable collection undertaking with spirit and intelligence to grapple with what Trevor Mowchun calls the 'spates' of criticism in the writings of one of the most challenging thinkers on film. Every one of the individual forays adeptly demonstrates the value of combining film analysis with attentive meta-critical commentary and conceptual elucidation of Deleuze's terms and tendencies. Aside from the inherent interest of the essays themselves, this volume's major contribution to film studies lies in its potential to re-energise debate on a vital issue for the discipline: namely, the relation between theory and criticism." --Alex Clayton, Associate Professor in Film and Television, University of Bristol, UK This book is the first collection of essays to offer detailed examinations of the role that close attention to individual films plays in the philosopher Gilles Deleuze?s work on cinema. In the last two decades, Deleuze's two books on film have had an enormous influence on Film Studies, profoundly affecting thinking about movement, time, history, and other topics. Theoretically ambitious and philosophically rich but clearly written by a broad range of established and emerging international film scholars, the chapters in this volume will both contribute to, and in places challenge, the vibrant field of Deleuzian film studies. Topics covered range from the relationship of Deleuze to film criticism; the role of theories of movement; and studies of works by major filmmakers including Federico Fellini, Werner Herzog, Vincente Minnelli, and Orson Welles. This book will be of interest not only to specialists in Deleuze but to anybody engaged with the close study of film and its philosophical ramifications. Dominic Lash is the author of The Cinema of Disorientation: Inviting Confusions (2020) and Robert Pippin and Film: Politics, Ethics, and Psychology after Modernism (2022). He has taught film at many institutions, including the universities of Bristol and Oxford, and has published in journals such as Screen; Movie: A Journal of Film Criticism; Film and Philosophy; and Film-Philosophy. Hoi Lun Law is Teaching Fellow in Film Studies at the University of Edinburgh, UK. He is the author of Ambiguity and Film Criticism: Reasonable Doubt (2021). 410 0$aPalgrave Film Studies and Philosophy,$x2946-5443 606 $aMotion pictures$xAesthetics 606 $aAesthetics 606 $aMotion pictures 606 $aFilm Philosophy 606 $aAesthetics 606 $aFilm Theory 615 0$aMotion pictures$xAesthetics. 615 0$aAesthetics. 615 0$aMotion pictures. 615 14$aFilm Philosophy. 615 24$aAesthetics. 615 24$aFilm Theory. 676 $a791.4301 700 $aLash$b Dominic$01383173 701 $aLaw$b Hoi Lun$01228576 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910736991203321 996 $aGilles Deleuze and Film Criticism$93427758 997 $aUNINA