LEADER 03978nam 22006135 450 001 9910736025603321 005 20230729085309.0 010 $a981-19-9251-7 024 7 $a10.1007/978-981-19-9251-3 035 $a(MiAaPQ)EBC30669099 035 $a(Au-PeEL)EBL30669099 035 $a(DE-He213)978-981-19-9251-3 035 $a(CKB)27878692400041 035 $a(EXLCZ)9927878692400041 100 $a20230729d2023 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aMemory Made, Hacked, and Outsourced $eHow the 21st Century Anglophone Novels Remember and Forget /$fby Chia-Chieh Mavis Tseng 205 $a1st ed. 2023. 210 1$aSingapore :$cSpringer Nature Singapore :$cImprint: Palgrave Macmillan,$d2023. 215 $a1 online resource (152 pages) 311 08$aPrint version: Tseng, Chia-Chieh Mavis Memory Made, Hacked, and Outsourced Singapore : Palgrave Macmillan,c2023 9789811992506 327 $aChapter 1: Introduction: Memory and Fiction in the 21st Century -- Chapter 2: Memory Made: Photography, Latency, and Contingency in Penelope Lively?s The Photograph -- Chapter 3: Memory in Seriality: Remainder, Repetition, and Authenticity in Tom McCarthy?s Remainder -- Chapter 4: Memory Hacking: Remembering, Storytelling, and Unreliable Narrators in Julian Barnes? The Sense of an Ending and The Only Story -- Chapter 5: Remember Like Humans: (Post-)human Memories, Forgetting, and Space of Latency in Kazuo Ishiguro?s Never Let Me Go -- Chapter 6: Memory Outsourced: New Memory in the Digital Age in Felicia Yap?s Yesterday -- Chapter 7: Conclusion: The Future of 21st Century Memory. 330 $aThis book probes the complex relationship between memory and storytelling in contemporary literature. It not only examines how memory is constantly made and remade through words and stories but also explores how literary practices and imagination are shaping new concepts of memory in the 21st century. By analyzing the selected novels ? Penelope Lively?s The Photograph, Tom McCarthy?s Remainder, Julian Barnes? The Sense of an Ending and The Only Story, Kazuo Ishiguro?s Never Let Me Go, and Felicia Yap?s Yesterday ? this book explores the dynamic interplay of remembering and forgetting, and redefines the relationship between fiction and memory in the 21st century. Chia-Chieh Mavis Tseng is the director and associate professor in the Language Center at Taipei Medical University. She received her Ph.D. in Comparative Literature at Rutgers, The State University of New Jersey. Her publications have addressed memory studies, film studies, visual culture, urban modernity, Amy Levy, Kate Chopin, Virginia Woolf, Kazuo Ishiguro, Walter Benjamin, and Jacques Tati?s works. Her several research projects (2017-2023), funded by the National Science and Technology Council in Taiwan, R.O.C., focus on representations of memory in contemporary novels and films. 606 $aLiterature, Modern?20th century 606 $aLiterature, Modern?21st century 606 $aCollective memory 606 $aEducation in literature 606 $aFiction 606 $aContemporary Literature 606 $aMemory Studies 606 $aLiterature and Pedagogy 606 $aFiction Literature 615 0$aLiterature, Modern?20th century. 615 0$aLiterature, Modern?21st century. 615 0$aCollective memory. 615 0$aEducation in literature. 615 0$aFiction. 615 14$aContemporary Literature. 615 24$aMemory Studies. 615 24$aLiterature and Pedagogy. 615 24$aFiction Literature. 676 $a809.05 700 $aTseng$b Chia-Chieh Mavis$01380314 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910736025603321 996 $aMemory Made, Hacked, and Outsourced$93421583 997 $aUNINA