LEADER 04530nam 22006975 450 001 9910736011503321 005 20230725173341.0 010 $a981-19-9402-1 024 7 $a10.1007/978-981-19-9402-9 035 $a(MiAaPQ)EBC30666707 035 $a(Au-PeEL)EBL30666707 035 $a(DE-He213)978-981-19-9402-9 035 $a(CKB)27861139000041 035 $a(EXLCZ)9927861139000041 100 $a20230725d2023 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aBeyond Shakespeare $eFilm Studies, Performance Studies, and Netflix /$fby Iris H. Tuan 205 $a1st ed. 2023. 210 1$aSingapore :$cSpringer Nature Singapore :$cImprint: Palgrave Macmillan,$d2023. 215 $a1 online resource (282 pages) 311 08$aPrint version: Tuan, Iris H. Beyond Shakespeare Singapore : Palgrave Macmillan,c2023 9789811994012 327 $aChapter 1 Introduction -- Part I Asian American Theatre and Asian Performances -- Chapter 2 Race and Identity in David Henry Hwang's Plays and Musicals -- Chapter 3 River/Cloud: Fill in the Blank via Memory, Imagination, and Meta-theatre -- Chapter 4 Theatre Ecology, Nature, and Politics in Shakespeare?s Plays and Hold On, Love! -- Part II Shakespeare -- Chapter 5 Food/Drink Consumption, Emotions, and Obsessions in Shakespeare?s Plays and Art -- Chapter 6 Women and the `Feminine? by Quoting Shakespeare?s Sonnets and Image Change in Screen -- Chapter 7 During COVID-19 Pandemics, Reflect on Plagues in Shakespeare?s Plays -- Chapter 8 Post-modern Bizarre & Post-human Zombie: Warm Bodies and Titus -- Chapter 9 Images, Travelling, and Visual Culture in Shakespeare?s Plays: Through and Beyond Repetition -- Part III Netflix TV Dramas -- Chapter 10 Immaterial Representations in Altered Carbon: Sex, Body, and Memories -- Chapter 11 (In)Hospitality and Visual Culture in Downton Abbey -- Chapter 12 Conclusion. 330 $aWith joy and grace to accompany the readers to have the translocal tour to visit about thirty-seven works, this monograph applies the academic critical theories of Performance Studies, Film Studies, Psychoanalysis, Postmodernism, and Visual Culture, to interpreting the special selection works. The focus and common theme are on race, body, and class. With the background of COVID-19 since 2019 up to the present, the book offers the readers with the remarkable insight of human beings? accumulated wisdom and experiences in surviving with the dreadful diseases like the plagues in Shakespeare?s time. After the supreme reading, may the global readers in the world acquire the knowledge and power to live in sustainability with education and entertainment of films, performances, and online streaming Netflix TV dramas. Iris H. Tuan is a Professor at National Yang Ming Chiao Tung University in Taiwan. Tuan received her Ph.D. in Theater from UCLA. Tuan was a Visiting Scholar in the Department of English at Harvard University. Her excellent and prolific publications include hundreds of papers and ten books, such as Pop with Gods, Shakespeare, and AI: Popular Film, (Musical) Theatre, and TV Drama (2020), Translocal Performance in Asian Theatre and Film (Palgrave Macmillan, 2018), and co-edited Transnational Performance, Identity and Mobility in Asia (Palgrave Macmillan, 2018). 606 $aMotion pictures 606 $aTelevision broadcasting 606 $aCultural industries 606 $aTheater 606 $aTheater?History 606 $aPopular Culture 606 $aCulture?Study and teaching 606 $aFilm and Television Studies 606 $aTheatre Industry 606 $aContemporary Theatre and Performance 606 $aPopular Culture 606 $aCultural Studies 615 0$aMotion pictures. 615 0$aTelevision broadcasting. 615 0$aCultural industries. 615 0$aTheater. 615 0$aTheater?History. 615 0$aPopular Culture. 615 0$aCulture?Study and teaching. 615 14$aFilm and Television Studies. 615 24$aTheatre Industry. 615 24$aContemporary Theatre and Performance. 615 24$aPopular Culture. 615 24$aCultural Studies. 676 $a820 676 $a791 700 $aTuan$b Iris H$0963795 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910736011503321 996 $aBeyond Shakespeare$93421445 997 $aUNINA