LEADER 04432nam 22007575 450 001 9910734853603321 005 20251010075138.0 010 $a3-030-32865-1 024 7 $a10.1007/978-3-030-32865-8 035 $a(CKB)4100000011946312 035 $a(MiAaPQ)EBC6631277 035 $a(Au-PeEL)EBL6631277 035 $a(OCoLC)1253353500 035 $a(PPN)255885709 035 $a(DE-He213)978-3-030-32865-8 035 $a(EXLCZ)994100000011946312 100 $a20210524d2021 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aFlags, Color, and the Legal Narrative $ePublic Memory, Identity, and Critique /$fedited by Anne Wagner, Sarah Marusek 205 $a1st ed. 2021. 210 1$aCham :$cSpringer International Publishing :$cImprint: Springer,$d2021. 215 $a1 online resource (719 pages) 225 1 $aLaw and Visual Jurisprudence,$x2662-4540 ;$v1 311 08$a3-030-32864-3 320 $aIncludes bibliographical references and index. 327 $aPart I Narratives of the Color-Coded Values: Building an Identity -- Part II Visual & Ideological Symbols Prescribing a Story of Unity -- Part III New Visions of Color-Coded Values. 330 $aThe book deals with the identification of ?identity? based on culturally specific color codes and images that conceal assumptions about members of a people comprising a nation, or a people within a nation. Flags narrate constructions of belonging that become tethered to negotiations for power and resistance over time and throughout a people?s history. Bennet (2005) defines identity as ?the imagined sameness of a person or social group at all times and in all circumstances?. While such likeness may be imagined or even perpetuated, the idea of sameness may be socially, politically, culturally, and historically contested to reveal competing pasts and presents. Visually evocative and ideologically representative, flags are recognized symbols fusing color with meaning that prescribe a story of unity. Yet, through semiotic confrontation, there may be different paths leading to different truths and applications of significance. Knowing this and their function, the book investigates thesetransmitted values over time and space. Indeed, flags may have evolved in key historical periods, but contemporaneously transpire in a variety of ways. The book investigates these transmitted values: Which values are being transmitted? Have their colors evolved through space and time? Is there a shift in cultural and/or collective meaning from one space to another? What are their sources? What is the relationship between law and flags in their visual representations? What is the shared collective and/or cultural memory beyond this visual representation? Considering the complexity and diversity in the building of a common memory with flags, the book interrogates the complex color-coded sign system of particular flags and their meanings attentive to a complex configuration of historical, social and cultural conditions that shift over time. 410 0$aLaw and Visual Jurisprudence,$x2662-4540 ;$v1 606 $aConflict of laws 606 $aConflict of laws 606 $aInternational law 606 $aComparative law 606 $aLaw$xPhilosophy 606 $aLaw$xHistory 606 $aSemiotics 606 $aCultural property 606 $aPrivate International Law, International and Foreign Law, Comparative Law 606 $aTheories of Law, Philosophy of Law, Legal History 606 $aSemiotics 606 $aCultural Heritage 615 0$aConflict of laws. 615 0$aConflict of laws. 615 0$aInternational law. 615 0$aComparative law. 615 0$aLaw$xPhilosophy. 615 0$aLaw$xHistory. 615 0$aSemiotics. 615 0$aCultural property. 615 14$aPrivate International Law, International and Foreign Law, Comparative Law. 615 24$aTheories of Law, Philosophy of Law, Legal History. 615 24$aSemiotics. 615 24$aCultural Heritage. 676 $a929.92 702 $aMarusek$b Sarah 702 $aWagner$b Anne 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910734853603321 996 $aFlags, color, and the legal narrative$92586084 997 $aUNINA