LEADER 04312nam 2200685 450 001 9910734699803321 005 20230808025122.0 010 $a1-78938-113-4 010 $a1-78938-112-6 024 7 $a10.2307/j.ctv36xw53b 035 $a(CKB)4100000009751321 035 $a(MiAaPQ)EBC5969644 035 $a(ScCtBLL)b543eba6-edb2-47b5-88ba-cb7c1963d862 035 $a(EXLCZ)994100000009751321 100 $a20191126d2020 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aCulture, technology and the image $etechniques of engaging with visual culture /$fedited by Pilcher Jeremy 210 1$aBristol, England ;$aChicago, Illinois :$cIntellect,$d[2020] 210 4$d©2020 215 $a1 online resource (160 pages) 311 $a1-78938-111-8 327 $tIntroduction /$rJeremy Pilcher --$tCurrent research methodologies of scholars in the visual arts: Toward an emerging model in image and text retrieval for the domain /$rCatherine Larkin --$gPart I: Data generation.$tFrom photogrammetry to Big Data: A case study of their possibilities for digital art history /$rPedro Luengo ;$tImaging technologies applied to questions of authorship /$rNicholas Eastaugh --$gPart II: Knowledge presentation and visualization.$tTime machines /$rStephen Boyd Davis ;$tVorsprung durch Technik: Multi-display learning spaces and art-historical method /$rBrett Bligh and Katharina Lorenz --$gPart III: Virtual museology.$tVirtual museum: The concept and transformation /$rAnna Bentkowska-Kafel ;$tA field guide for analyzing the curation of online social networks of arts /$rAlmila Akdag Salah ;$tThe hyperimage: Toward a theory of expanded photography /$rAlfredo Cramerotti --$tConclusion:$tTechnology-technique-transformation /$rJeremy Pilcher. 330 $a"<p class=""p1""><em>Culture, Technology and the Image</em> explores the technologies deployed when images are archived, accessed and distributed. The chapters discuss the ways in which habits and techniques used in learning and communicating knowledge about images are affected by technological developments. The volume discusses a wide range of issues, including access and participation; research, pedagogy and teaching; curation and documentation; circulation and re-use; and conservation and preservation.<br /> <br /> The book illustrates how knowledge about images is intertwined with the methods that are used to store, retrieve and analyse those images and the information associated with them. Focusing on the implications of technology for processes and practices brings into view the permeable nature of boundaries between such disciplines as art history, media studies, museum studies and archiving. As such, this text will appeal to a broad academic audience, including art historians interested in the digital; media studies scholars; digital humanities scholars interested in expanding beyond textual scholarship; as well as new students in any of these fields.</p> " 606 $aVisual communication 606 $aVisual sociology 606 $aCommunication and culture 606 $aTechnology$xSocial aspects 606 $aPhotography, Artistic$2fast$3(OCoLC)fst01061964 610 0$adigital art history 610 0$avirtual museums 610 0$aonline social networks 615 0$aVisual communication. 615 0$aVisual sociology. 615 0$aCommunication and culture. 615 0$aTechnology$xSocial aspects. 615 7$aPhotography, Artistic 676 $a302.23 701 $aCramerotti$b Alfredo $e contributor$01129771 702 $aJeremy$b Pilcher 702 $aAkdag Salah$b A. A$g(Alk?m Alm?la),$f1975- 702 $aBentkowska-Kafel$b Anna 702 $aBligh$b Brett 702 $aDavis$b Stephen Boyd 702 $aEastaugh$b Nicholas 702 $aLarkin$b Catherine 702 $aLorenz$b Katharina 702 $aLuengo Gutiérrez$b Pedro 702 $aMagruder$b Michael Takeo 702 $aPilcher$b Jeremy 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910734699803321 996 $aCulture, technology and the image$93410051 997 $aUNINA